Late Night digests systemic sexism, spews it out in Technicolor yawn
Movie Review: Late Night
Mindy Kaling creates a scrapbook of comic experience about what it’s like to be a feminist pioneer in a male-dominated environment and miraculously finds humour where a tough nugget of tragedy persists. Buy Flomax
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Reclaiming the ‘wife beater’ as feminist symbol of empowerment
Fashion: Unzipping the history of female undergarments
Though typically seen as a sign of muscular machismo thanks to Marlon Brando’s Streetcar and Hugh Jackman’s Wolverine, the working-class white tank top was the product of the female emancipation movement and a quest for less restricted movement.
Melissa McCarthy and Maya Rudolph May Be the Best Boobs in the Business
Movie Review: Life of the Party
Taking on the part of a middle-aged mom who goes back to school, McCarthy revisits college comedy tropes with a seductive brand of physical comedy and an empathetic edge. Not all the comic concoctions work, but the female perspective makes room for affirmation amid humiliation.
Frankie Drake Mysteries Rewrites The Feminine Mystique
Interview with Lauren Lee Smith
Frankie Drake is a female crime-solver working in 1920s Toronto, but for Vancouver actor Lauren Lee Smith, the new CBC heroine played a pivotal role as personal emancipator
By Katherine Monk
She never thought she’d be a dick. Little girls aren’t conditioned to be assertive, let alone take control — which is exactly why Lauren Lee Smith had to say yes to Frankie Drake. A female detective working in 1920s Toronto, Frankie Drake makes her debut on the national broadcaster tonight, but Smith says the journey to bring the character of Frankie to televised fruition is a feminist odyssey. “The whole idea of a female detective working in 1921 is pretty rad,” says Smith over the phone from Toronto. “But she’s part of a larger history. She worked as a messenger during the First World War, was recruited to be a part of British Intelligence, but when someone blew her cover, she went back to Canada… and opened the first female detective ...
William Oldroyd Reveals Lady Macbeth’s Damned Spot
Movies: Interview with Lady Macbeth director William Oldroyd
Lady Macbeth is riding a wave of feminist revisionism that emerged with Margaret Atwood's The Penelopiad and crests with the forthcoming Ophelia, but director William Oldroyd says more women's stories should be told. Not just because they're full of drama. But female actors are available. They're better. They're also cheaper.
By Katherine Monk
In 1865, an author by the name of Nikolai Leskov picked up on something his contemporaries were doing. He revised Shakespearean drama for a Russian audience, playing with context but keeping the core of the character intact. Ivan Turgenev offered up Hamlet of the Shchigrovsky District in 1859, and Leskov published Lady Macbeth of the Mtsensk District — a bodice-ripping, bed-post gripping romance featuring a young woman in a loveless marriage. A century and a half later, we can see a similar trend emerging as filmmakers once more revamp Shakespeare, as well as other classics, ...
Helena Guttridge, Mayor Gregor and Auntie Irene
People: Irene Howard, History Is Her Story
Mayor's tribute to Vancouver's first female councillor strikes a personal note for Rod Mickleburgh, who in turn honours a chronicler he calls 'Auntie Irene'
By Rod Mickleburgh
(May 17, 2017) - At the age of 70, my beloved Auntie Irene, under her scholastic name of Irene Howard, published her definitive biography of Helena Gutteridge, Vancouver’s first woman “alderman”. Ten years later, when she was 80, she completed her remarkable book Gold Dust On His Shirt, a moving saga of her family’s working class life in the gold mines of British Columbia, feathered with impeccable research of the times. At 90 she published a very fine poem, which is reproduced below. And one morning last month, at the age of 94 and a half, Auntie Irene sat in the front row of chairs arrayed in a room off the main lobby at city hall, looking as elegant and vivacious as anyone who pre-dated Vancouver’s Art Deco municipal masterpiece by 14 years ...
Remembering a massacre: A tough pill to swallow
The Sick Days: Part 18
Covering the events of December 6 at L'École Polytechnique was a formative experience, and one a seasoned reporter now thinks she got all wrong.
By Shelley Page
(Published Dec. 2, 2015) The moment my editor told me to get to the airport, my stomach fell as though I was on the down slope of a rollercoaster. I stood in the middle of the newsroom, as a few deskers and reporters stared at me expectantly, wondering if I could possibly decline. I think reporters often dread the unknown of a story and the difficulties that lay ahead to nail it down, but I feared I just wasn’t up to the task. I’d been feeling tired, lupus tired, for days and I was walking like an elderly woman whose joints lacked lubricant. But the killing in Montreal had begun around 5 p.m., and within 20 minutes, 27 people were shot or stabbed. All the dead were young women; fourteen of them. How could I not go? In the Beaches areas apartment I shared with my absentee boyfriend, who ...
Penetrating Helen Gurley Brown
Books: Not Pretty Enough - The Unlikely Triumph of Helen Gurley Brown
New biography of the woman who recreated Cosmopolitan as a vehicle of sexual empowerment reveals lifelong insecurities and a penchant for moisturizing with baking lard
Tempest in a D-Cup
Interview: Tempest Storm, Icon of Burlesque
Valued for her physical appearance in a world where women were denied a voice, Tempest Storm found safe harbour and social power with a little jiggle and a lot of courage
By Jay Stone
Annie Banks was born on Leap Year Day 88 years ago in rural Georgia, a beautiful young girl destined to have an unhappy childhood. Her stepfather tried to sexually abuse her. Her classmates teased her because she had a womanly figure even as a young teenager. She ran away from home at 14 to get married to her first of four husbands (the marriages variously lasted one night, two weeks, two years and 10 years.) She moved to Las Vegas to be a showgirl and got hired as an exotic dancer: she asked her first agent, “Do you think my busts are too big for this business?” It turns out that there was no such thing. After a while, the agent decided to give her a new, more exotic name, Sunny Day. “I’m not a Sunny Day,” she said, so the agent came up with ...
