Stephen McHattie is a man with a horn in Bruce McDonald’s Dreamland
Movies: Interview with Canadian director Bruce McDonald
McDonald’s latest film features a drug-addicted trumpet player and a jaundiced hitman on a collision course in the middle of Europe. “It’s about the journeyman and the artist,” says the director. He might as well have been talking about McHattie himself -- the Canadian character actor who sits at the heart of this “one-man two-hander.”
First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
TV refugee finds oasis of hope on One Strange Rock, NASA TV
Television: One Strange Rock and NASA TV
Evidence of intelligent life on Earth can be tough to find on the daily trek across the grid, but there’s an alternate universe hidden between the perpetual fireplace and Marie Kondo videos where humility and the human endeavour intersect -- with inspirational results.
Widows buries thriller formula and finds female power
Movie Review - Widows
Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo, Widows could still blow things wide open.
Outlaw King reimagines tribal history, bares Pine’s parts
New on Netflix/Movie Review: Outlaw King
Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.
22 July offers timely reminder of old horror, fresh fears
Movie Review: 22 July - New on Netflix
Paul Greengrass’s restrained vérité treatment of the July 22 massacre at a Norwegian kids camp lassos truth of tragedy by showing us the banal face of evil and the chilling effect of fear.