Movie review: Wonka offers golden ticket to pure happiness
Movie review: Wonka
Paul King, the director behind the warm and fuzzy Paddington movies, stretches a strong arm into the cauldron of modern chaos and pulls out a sweet, magical treat of a movie that affirms the power of a pure heart.
Movie review: Maestro reveals duelling Bernsteins living within a single legend
Movie review: Maestro
Bradley Cooper brings a heap of passion and a stylish eye to a dysfunctional love story that strips artistic ego down to the studs. Echoing the core themes of an entirely different film about Leonard Bernstein, Maestro may have you asking who plays Bernstein better: Bradley Cooper, or Cate Blanchett?
Movie review: Leave the World Behind captures a very creepy Zeitgeist
Movie review: Leave the World Behind
Sam Esmail serves up a sophisticated psychological thriller that nods to Cold War convention while conjuring the biggest threat of the twenty-first century: A world where money governs morality, friendships are subject to outside influence, and even your neighbour can’t be trusted as an ally.
Movie review: Oppenheimer fails to trigger emotional chain reaction
Movie review: Oppenheimer
Director and writer Christopher Nolan puts Cillian Murphy in the middle of a chaotic narrative in the hopes of harnessing the creative power of Robert J. Oppenheimer. The movie is packed with style and period inflections, but ends up an emotional dud.
Movie Review: Everything Everywhere All at Once Is All That
Movie Review: Everything Everywhere All At Once
Everything Everywhere All at Once more than lives up to its name as we enter a particle accelerator of acting and performance that explores issues of metaphysics and personal meaning. At times slapstick, others ominously bleak, directors Daniel Kwan and Daniel Scheinhart make a beautiful mess saved by the magnetism of Michelle Yeoh.
The Unbearable Weight of Massive Talent lands with a thud
Movie review: The Unbearable Weight of Massive Talent
Give Nicolas Cage a chance to slap himself in the face, and you know he'll go full cream pie. So why did director Tom Gormican go for a dark thriller instead of full-on movie star send-up? We can only wonder as we stare into the crater of a leaden satire.