887: Robert Lepage televises the revolution
Theatre: 887
After decades of detouring issues of cultural identity, the veteran writer, actor and director creates his own confessional with 887, a new one-man show that revisits the minutia of memory
By Katherine Monk
VANCOUVER, BC — Robert Lepage always looks a little uncomfortable up there, standing like a ten-year-old at the altar, hands forcibly clasped, waiting for some wafer-thin affirmation of self. It’s the reason why his one-man shows are probably the best in the world: He can manifest conflict just by standing on stage. The quake of insecurity. It’s deep: A black vein of that shimmers though his oeuvre and powers his creative locomotive, now many cars long, with a relentless head of steam. As a critic who’s followed his shiny train of thought for decades, I’ve always wondered where that dark seam started. And when I had the occasion of interviewing him, I would ask. Whence the duality? Is there a political element? And he would always remain ...
Snowtime! animates a Canadian classic
Movies: Snowtime!
The creators behind Snowtime! talk about the challenges of tinkering with an emotional strand of the Quebec's cultural DNA, and getting Celine Dion onboard to sing about loss
By Katherine Monk
PARK CITY, UT — The footsteps they chose to follow were Yeti-sized craters, but that didn’t stop the filmmakers behind Snowtime! from recreating one of the most popular films in Canadian history. Originally released as a live action feature in 1984, La guerre des tuques went on to become the highest-grossing film of the year in both English and French Canada with well over a $1.2 million in domestic receipts, not to mention several more million in ancillary merchandize in the years that would follow as the film became the go-to Christmas season broadcast — the Rudolph or Frosty for French-Canada. “What you have to understand is this is part of the DNA of the quebec people,” said producer Marie-Claude Beauchamp, who sat down with The Ex-Press during the ...
Deadpool reanimates comic book form
Movie review: Deadpool
Ryan Reynolds's physical skills and comic timing prove unbeatable as he takes on the role of a nihilist antihero in Deadpool, a self-conscious wink to Spandex form that would have been unwatchable without him
Konelïne drills deep into the dark heart of colonialism
Movies: Available Light Film Festival
Veteran documentary filmmaker Nettie Wild heads North to explore a motherlode of ugly conflict unfolding against a backdrop of pristine beauty in her latest film, Konelïne: Our Land Beautiful
By Katherine Monk
WHITEHORSE, YUKON — “We didn’t want it. We still don’t want it. But it was a done deal when they called us to the table.” Tahltan elder Lillian Moyer was speaking about a transmission line along the once-scenic Highway 37 in Canada’s Yukon, but the comments she uttered at the premiere of Nettie Wild’s latest documentary, Konelïne - Our land Beautiful, seem applicable to just about every situation that pits traditional First Nations’ values against the continuing colonial reality. From resource extraction in pristine wildlife habitats in the North to condos and casinos on traditional lands in the South, Canada’s colonial history clearly didn’t end with when Europeans left the garrison. It continues to claim ...
Homelessness pulls up to the curb
Movie review: The Lady in the Van
Maggie Smith stars as a woman who makes her home in a rusty van parked outside the house of an uptight playwright named Alan Bennett in this story about finding safe harbor
Ex Machina dangles a divine equation
Movie review: Ex Machina
Writer Alex Garland makes an impressive directing debut retooling Greek tragedy with silicon parts, writes Katherine Monk
