Millennium haunted by ghosts of Al Waxman, Maury Chaykin
From the Bottom of the Pile
Movies: Blu-ray review - Millennium
Finding a little piece of Canada's film past, and a message from the future, in the wreckage of a 1980s science fiction film starring Kris Kristofferson and Cheryl Ladd
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The Bronze straddles a low bar
Movie review: The Bronze
Melissa Rauch's send-up of competitive gymnastics includes an acrobatic sex scene and cartoonish characters in tracksuits, but lacks the gritty heart required for a sports movie -- even an insincere one
Divergent – Allegiant Part One: Incoherent
Movie review: Divergent Series - Allegiant Part One
Shailene Woodley's Tris discovers the world behind the wall in the Divergent Series, a post-apocalyptic saga that feels like high school on sci-fi steroids
Father, motherland, Rossif Sutherland
People: Interview - Rossif Sutherland
The Sutherland with the curious accent makes a dark turn in River before preparing for a new Catastrophe on French-Canadian television
By Katherine Monk
As far as Sutherlands go, he’s the tall one. You could see it when he appeared on stage next to his legendary father, Donald, at the recent Canadian Screen Awards. Rossif’s thick brown hair stood just a shade taller than his father’s flattening white pate.
Career-wise, however, there’s still a ways to go before he reaches the same stature as the Sutherland who appeared in M*A*S*H and Ordinary People. Or even that of his half-brother Kiefer. Not that he really cares. “I don't care much about what people think about me. If they don’t like me, they don’t like me. You can be the nicest person in the room… it doesn’t matter…. And I’ve never been very strategic with my choices, and maybe my career has suffered for it,” says Vancouver-born Rossif Sutherland from ...
Handing out Canadian Candy
News: The Canadian Screen Awards 2016
Room cleans up with nine wins in the film category, including best picture, while Schitt's Creek, Book of Negroes and Orphan Black dominate the TV side of Canada's annual awards show... now called The Candys?
By Katherine Monk
It was pretty good, eh? They had a big stage. A band. Gold statuettes. A host that wasn't William Shatner. And people in the audience -- some of whom were even recognizable. More importantly, this year's Canadian Screen Awards also included a few titles with proven international appeal, such as the TV show Orphan Black and the film Room, the Oscar-nominated drama that cleaned up with nine wins at Sunday night's gala, including best picture, best director, best actress, best actor, best supporting actress and best adapted screenplay for Emma Donoghue. For an awards broadcast that's struggled with audience ambivalence and stumping films with no box-office visibility, this year's show, hosted by Norm Macdonald and ...
The Little Prince gets a little lost
Movie review: The Little Prince
An uneven effort with plenty of good intentions, Mark Osborne's adaptation of Antoine de Saint-Exupéry's kid-lit classic gains a new dimension but loses some depth
Robert Carlyle boards new train as director
People: Robert Carlyle
Robert Carlyle gets back to his Glaswegian roots and takes a bit off the top as a barber with Barbicide on his mind, and a mother who loves a good game of bingo as much as a grisly murder in The Legend of Barney Thomson.
By Katherine Monk
VANCOUVER, BC – Everyone’s been asking him about Trainspotting 2, but Robert Carlyle has more on his plate than a plan to reprise the role of Begbie in an as-yet-to-be scripted sequel to Danny Boyle’s breakout film about heroin addicts. For the past few years, he’s been living in Vancouver playing Mr. Gold in the successful Disney TV series Once Upon a Time, and before that, he was Dr. Nicholas Rush in the B.C.-shot SGU: Stargate Universe. He says he loves Canada’s west coast. But after making his directorial debut with the Glasgow-shot black comedy Barney Thomson, released in theatres this week, Carlyle says he’s looking at a tough decision somewhere down the road. He may want to hang around town. Even ...
Peanuts, Macbeth, a big whale and an evil car hit home entertainment
Entertainment: @home releases for March 8
Embrace the joy of Snoopy or explore the many faces of man-made evil as Michael Fassbender cuts to the bone in Macbeth, James McAvoy breathes life into Frankenstein and James Brolin tries to stop a killer car
By Katherine Monk
We love you, Charlie Brown: The Peanuts Movie (4/5) The hand-drawn essence of Charles Schulz’s iconic comic strip comes through with flying colors in this gentle transition to digital from Ice Age director Steve Martino. Martino and the animators realized they didn’t need to reinvent the characters for a modern audience by making Charlie Brown look like a human kid, or turn Snoopy into a drooling lump of pixelated fur. They went for the feel of the source material: ever roving between pre-teen daydream, birthday party bliss and existential angst – with an emphasis on the latter, because it’s that quiet ache of looming adulthood that makes Peanuts the pop culture monolith it is. Charlie ...
London Has Fallen and it can't get up
Movie review: London Has Fallen
Gerard Butler returns as the bulletproof bodyguard who slays terrorists, butchers an American accent and saves the free world before breakfast
London Has Fallen and it can’t get up
Movie review: London Has Fallen
Gerard Butler returns as the bulletproof bodyguard who slays terrorists, butchers an American accent and saves the free world before breakfast