Free Solo transcends fear to achieve perfection
Movie review: Free Solo
Alex Honnold’s bid to climb Yosemite’s El Capitan without ropes or assistance gives filmmakers Jimmy Chin and Chai Vasarhelyi a chance to explore existential fears through character, and one man’s ability to focus on the moment.
Incredibles 2 Too Much Toon, Too Little Tone
Movie review: Incredibles 2
The long-awaited sequel to The Incredibles picks up the Parr family where we left them, but the world and our innocent sense of wonder has changed. Maybe that’s why Brad Bird’s Incredibles 2 feels a little out-of-sync, despite its cinematic skill.
Isle of Dogs Marks Wes Anderson’s Territory
Movie review: Isle of Dogs
There’s the heavy sigh of melancholy that defines Anderson’s whole oeuvre in this second stop-motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
Black Panther Plays with Ancient Yarns
Movie Review: Black Panther
Hollywood dons its first pair of progressive lenses with Ryan Coogler's fiercely entertaining rewrite of superhero stereotype that helps correct old vision problems
In the Fade Rubs Out Boundaries of Moral Behaviour
Movie Review: In the Fade
Diane Kruger won best acting honours at Cannes for good reason: her performance as a grieving mother and widow in the wake of a terrorist attack takes us from a noble quest for justice to the cellar of revenge
Arthritis and Adamantium: Logan senses an ending
Movie Review: Logan movie review
James Mangold's latest instalment in the X-Men franchise takes a heroic look at mortality via Hugh Jackman's aging Wolverine and Patrick Stewart's supernaturally demented Professor Xavier
Bolshoi Babylon breaks ballet’s legs
Movie review: Bolshoi Babylon
Documentary filmmakers Nick Read and Mark Franchetti go behind the red velvet and once iron curtain to unveil the ugly beauty that is Russia's legendary ballet company