Launching a Rocket in the Living Room
DIY Column: The Apollo XIII Project
A New Year’s resolution to reuse, recycle or purge was already in progress, then the pandemic happened, and what started as a creative bid to turn garbage into art suddenly morphed into a personal Apollo XIII mission: Without access to Home Depot, can you find a way to repurpose what you already have?
Stephen McHattie is a man with a horn in Bruce McDonald’s Dreamland
Movies: Interview with Canadian director Bruce McDonald
McDonald’s latest film features a drug-addicted trumpet player and a jaundiced hitman on a collision course in the middle of Europe. “It’s about the journeyman and the artist,” says the director. He might as well have been talking about McHattie himself -- the Canadian character actor who sits at the heart of this “one-man two-hander.”
First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
Sonic the Hedgehog revives cartoon soul
Movie Review: Sonic the Hedgehog
James Marsden shows the movie-going public how to handle a '90s-era videogame character reborn on the big screen as a kid-friendly version of Deadpool: Just roll with it.
The Assistant coolly dissects Weinstein scandal
Movie review: The Assistant
Documentary filmmaker Kitty Green casts Julia Garner as a 20-something underling struggling to navigate a toxic work environment and a loud, bellowing boss who bullies those around him into submission. It's not a feel-good movie. It's an ode to millennial malaise.
