John Wick 3: Parabellum keeps the puppy love alive
Movie Review: John Wick 3 - Parabellum
John Wick may not wax eloquent, but he can fire up a storm in this continuing action saga that lets Keanu Reeves do what he does best: say little, bring elegance to action sequences and create chemistry with cute canines.
Pet Sematary resurrects the fear of fur
Movie review: Pet Sematary
Stephen King’s classic gets a horror makeover that keeps asking the same unholy question: How far would we go to bring back a dead loved one?
Hotel Mumbai opens ornate doors on an unholy nightmare
Movie review: Hotel Mumbai
The 2008 terrorist attacks in Mumbai resulted in the deaths of more than 170 people. Yet, until director Anthony Maras decided to dramatize the event in what proves a breathless two hours, the full dimensions of the tragedy never seemed to hit home.
Keith Behrman makes a Giant Little leap into the moment
Interview/ Canadian Film: Keith Behrman on Giant Little Ones
The Vancouver director seemed to vanish from the face of Canadian film after his feature debut. But 16 years later, Keith Behrman is back with Giant Little Ones, a coming-of-age story that gently pulls back the curtain on the delicate question of sexual identity.
Five Feet Apart: Teen love tropes and a cruel twist of phage
Movie review: Five Feet Apart
Haley Lu Richardson and Cole Sprouse play cystic fibrosis patients forced to stay at a safe distance, yet ultimately sacrifice everything to satisfy their breathless love. It’s a run-of-the-mill millennial teen romance, but proves the next generation isn’t living in denial when it comes to death.
Captain Marvel captures essence of #MeToo moment
Movie Review: Captain Marvel
Brie Larson proves to be exactly what we need right now: A powerful woman who not only questions the status quo, but is willing to abandon the dominant culture in pursuit of personal liberation.
Reclaiming the ‘wife beater’ as feminist symbol of empowerment
Fashion: Unzipping the history of female undergarments
Though typically seen as a sign of muscular machismo thanks to Marlon Brando’s Streetcar and Hugh Jackman’s Wolverine, the working-class white tank top was the product of the female emancipation movement and a quest for less restricted movement.