Katherine Monk 314 results

Katherine Monk is a former movie critic with The Vancouver Sun and Postmedia News. She still watches a lot of movies… and writes stuff about them.

TV refugee finds oasis of hope on One Strange Rock, NASA TV

Television: One Strange Rock and NASA TV Evidence of intelligent life on Earth can be tough to find on the daily trek across the grid, but there’s an alternate universe hidden between the perpetual fireplace and Marie Kondo videos where humility and the human endeavour intersect -- with inspirational results.  
4Score

Never Look Away all about the red, white and blur

Movie review: Never Look Away Oscar winner Florian Henckel von Donnersmarck’s latest film is a fictional epic inspired by German painter Gerhard Richter’s early career in the East, but it captures the contours of human truth by pulling us through pigments of pain with a creative brush.  
4Score

Alita: Battle Angel embodies modern socialist ideal

Movie Review - Alita: Battle Angel James Cameron and Robert Rodriguez pull off some careful reprogramming of a Japanese animé heroine by pitting her superior cyborg parts against human selfishness in a post-apocalyptic wasteland.

Isn’t It Romantic? feels like a rhetorical question

Movie review: Isn’t It Romantic? Rebel Wilson leads a revolutionary effort through the red taffeta jungle of rom-coms, but fails to topple the upper tier of icing-covered couple expectations. And that’s probably just the way we want it. “Somewhere deep down, we crave a fairy tale ending for a relatable character — just as we do for ourselves,” writes movie critic Katherine Monk.
3.5 Score

LEGO Movie 2 misses magical click but still sticks

Movie Review: The LEGO Movie 2  - The Second Part The absurdist edge and creative intelligence that made the first LEGO movie a masterpiece is eclipsed by shallow self-awareness and plastic brick branding, but the Second Part still builds a world of enchantment by piecing together sibling rivalries with heart.
3Score

Miss Bala is mucha macha feminista, but a bust of thriller

Movie review: Miss Bala Catherine Hardwicke loads the barrel with a strong, smart heroine and a pioneering edge, yet she never achieves a straight arc with Miss Bala, despite a solid, near-omnipresent performance from Rodriguez

Wonders of the Sea 3D chants Give Piscis a Chance

Movie review: Wonders of the Sea 3D The Cousteau family returns to the big screen for a three-dimensional dive that goes deep to reveal the ocean’s mind-bending beauty in minute detail, yet comes up a little shallow when it comes to addressing the human flaws that now define the landscape.

The pain of Glass

Movie review: Glass M. Night Shyamalan’s latest is a self-conscious collage of comic book form and personal conceit that talks down to the viewer as the director congratulates himself.

The Upside has Hart, art, and good intentions but lacks dramatic clash

Movie Review: The Upside American remake of French hit Les Intouchables removes rudeness from the equation and comes up short on conflict, leaving a well-set table that misses the essential mess of life.

Widows buries thriller formula and finds female power

#OscarCheck2018 Movie Review - Widows Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo,  Widows could still blow things wide open.