In the Fade Rubs Out Boundaries of Moral Behaviour
Movie Review: In the Fade
Diane Kruger won best acting honours at Cannes for good reason: her performance as a grieving mother and widow in the wake of a terrorist attack takes us from a noble quest for justice to the cellar of revenge
Andrea Bang Sounds the Drum of Korean Identity
Andrea Bang is currently in PyeongChang as part of CBC's broadcast team. She's interviewing locals about culture, so we thought we'd repost our 2016 interview with the star of Kim's Convenience.
People: Interview with Andrea Bang
The Vancouver star of Kim's Convenience says the first Canadian sitcom to feature Asian leads is about transcending ethnic stereotypes through human universals
By Katherine Monk
VANCOUVER – Andrea Bang thanks the Toronto Blue Jays. Not only did the team win the required games to advance, they pushed back the network premiere of her new show, Kim’s Convenience. The new CBC comedy based on Ins Choi’s award-winning Fringe play airs tonight on the National Broadcaster, but it was originally slated to air last Tuesday – in the heat of the Blue Jays’ wildcard bid. The network wisely aired the ballgame instead, but Bang wasn’t depressed about the delay. It gave her another week to mentally prepare while promos whetted the public appetite ...
Bening Becomes Legend in Film Stars Don’t Die in Liverpool
Movie review: Film Stars Don’t Die in Liverpool Annette Bening pours pathos into a champagne glass as Gloria Grahame in Paul McGuigan’s moody portrait of the feminine mystique and its martyrdom at the grabby hands of Hollywood Film Stars Don’t Die in Liverpool
4/5
Starring: Annette Bening, Jamie Bell, Julie Walters, Vanessa Redgrave, Kenneth Cranham
Directed by: Paul McGuigan
Running time: 1 hr 45 mins
Rating: Restricted By Katherine Monk
She had a starring role in It’s a Wonderful Life, but Gloria Grahame had anything but. As one of the leading femme fatales of the 20th century, Grahame was a prisoner of her pin-up image, sentenced to the shadows of sexually charged parts in an era that regarded a woman’s libido as a moral liability. Sexuality was her ticket to the gleaming world of Golden Age Hollywood, but in Paul McGuigan’s emotionally detailed portrait based on Peter Turner’s memoir, we can see how her biggest gift also became her biggest ...
In the Fade Rubs Out Boundaries of Moral Behaviour
Movie Review: In the Fade
Diane Kruger won best acting honours at Cannes for good reason: her performance as a grieving mother and widow in the wake of a terrorist attack takes us from a noble quest for justice to the cellar of revenge
Maze Runner Loses Route in Frantic Final Chapter
Maze Runner: The Death Cure
Dylan O'Brien returns as Thomas, a talented and genetically gifted teenager who leads a renegade group of kids looking to overthrow the wicked world of grown-ups in this final chapter of James Dashner's saga.
Den of Thieves Leaves a Manly Stink
Movie Review: Den of Thieves
Testosterone fuels this bank heist vehicle as Gerard Butler plays a tough, self-loathing cop who sacrificed his inner goodness to catch the bad guys
The Post Delivers Big Message Sans Emotional Stamp
Movie review: The Post
Tom Hanks and Meryl Streep play second fiddle to a 7,000-page stack of paper and an old Xerox machine in Steven Spielberg's well-intentioned history lesson about lying Presidents
Small Wins, Big Tanks: Top Ten Movies of 2017
Movies: Top Ten Films of 2017
Film critic Katherine Monk looks back on a year without frontrunners or favourites, making 2017’s top choices a truly personal matter with I, Tonya, Icarus and Wonder Woman landing on the podium, and plenty of other worthy contenders in the race.
By Katherine Monk
It seems the President and Harvey Weinstein eclipsed the klieg lights of the entertainment world: There is no artistic standout, nor crowd-pleasing frontrunner in the race for this year’s movie laurels as the recent Golden Globe ceremony proved. The five major awards were handed out to four films. No Moonlight. No Lala Land. Not even a Hidden Figures. The year 2017 will be remembered for the last-minute resuscitation at the box-office thanks to Star Wars’s enduring shock paddles, pulling a loser year into so-so territory in the home stretch with more than half a billion in receipts for The Last Jedi. Nonetheless, revenues were down 2.7 per cent ($11 billion US) over ...
