Ben Wheatley’s attack of social vertigo
Interview with Ben Wheatley
The Down Terrace director climbs to new cinematic heights in High-Rise, an adaptation of J.G. Ballard's book about class wars unfolding in a concrete tower - and we haven't even mentioned the stuff with Scorsese
By Katherine Monk
VANCOUVER – “If I had to draw something right now, I would draw a cross face. I can draw them quite well,” says film director Ben Wheatley, revealing a secret talent – and maybe, just a hint of repressed hostility. It’s hard to read his face. Half-covered in facial hair and wearing a look of unmistakable fatigue, the director of Sightseers, Down Terrace, A Field in England, the new feature High-Rise and a forthcoming Martin Scorsese-produced thriller called Free Fire looks like a prisoner who just sat down in the warden’s office: Present, honest, but not altogether enthusiastic. This is something he has to do. When you make a movie with a studio, they expect you to hit the road and talk about ...
David Bezmozgis dives into Russian diaspora
Interview: David Bezmozgis on Natasha
The Toronto-based writer-director grew up in a community of Russian Jews who left the Soviet Union, but decades later he says the "Russian immigrant experience" has become more difficult to define -- yet far more interesting to explore through drama
By Katherine Monk
The “immigrant experience” is a phrase that’s been getting a lot of media mileage in the wake of Syria’s collapse and continuing mass displacement due to climate change, but as a phrase, it’s generic. It assumes all immigrants share a similar reality: a sense of exile and limited expression until assimilation takes hold. Toronto author and filmmaker David Bezmozgis thinks the North American “immigrant community” deserves better than a broad label between quotation marks, so he wrote a short story called Natasha, originally published in Harper’s before appearing in a bound collection in 2004. A Lolita-like yarn about a sexy young Russian girl who moves ...
Nadia Litz and Jai West dig deep in The People Garden
People: Interview - Nadia Litz and Jai West on The People Garden
The former actor and first-time feature director says she wanted to create a female character in her 20s who could ride a wave of emotional ambiguity to escape the warm, fuzzy, vulnerable and typically banal female box
By Katherine Monk
VANCOUVER, BC – Ambiguity isn’t a topic that generally lends itself to passion, yet a recent sit-down with director-writer Nadia Litz and actor Jai West reveals a mental desire to resist closure that’s near obsessive. “Oh man. Ambiguity is the whole thing…” says Litz. “It’s everything. It’s the theme of the film: that there is no black and white conclusion to anything. It’s what relationships are. It’s what life is. It’s what death is.” When Litz talks about “the whole thing,” she’s talking about The People Garden, her debut feature starring West, Pamela Anderson and Dree Hemingway (daughter of Mariel Hemingway, niece of the late Margaux). ...
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Movie review: A Hologram for the King
Tom Hanks's latest feels like a collection of the beloved actor's greatest hits all rolled into one big lump of fish-out-of-water comedy that flops around on deck for the duration Isotretinoin No Prescription
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Hello, My Name is Doris – the Exploress
Movie Review: Hello, My Name is Doris
Sally Field finds fertile terrain as an eccentric hoarder in Hello, My Name is Doris, a feel-good romantic comedy aimed at menopausal women that's appealing to all buy Strattera online
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The Huntsman: Winter’s War cold as ice
Movie review: The Huntsman
Female relationships falls prey to cleavage from The Huntsman's axe in Grimm revision of Snow White saga Buy Lexapro online
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New look suits The Jungle Book
Movie Review: The Jungle Book
Director Jon Favreau uses state of the art digital technology to animate Rudyard Kipling's story of an orphan boy raised by wolves, and in the process, exhumes the dark heart of a child's version of Apocalypse Now Levaquin no prescription
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Keeping it All in The Clan
Movie review: El Clan
The true story of Argentina's infamous Puccio family hits the big screen with a bloodsplatter and a killer soundtrack, making for a seductively distracting descent into Hell
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