On American Pastoral and Canadian Shields
Movies: #TIFF16 American Pastoral press conference
Ewan McGregor's adaptation of Phillip Roth's novel points out the problems in bringing internal narrative to the big screen, but the actor-turned director faced the same challenge as those who braved the work of Carol Shields
By Jay Stone
TORONTO — Here’s something pretty interesting: in the Carol Shields book Unless (now a motion picture at the Toronto International Film Festival), a sensitive teenage girl sees a monk setting himself on fire and is inspired to drop out of society and become a mute beggar in front of Honest Ed’s discount emporium in Toronto. In the Philip Roth novel American Pastoral (also a movie at TIFF), a sensitive teenage girl sees a monk setting himself on fire and is inspired to drop out of society and become a domestic terrorist. This tells us something about Canada and the United States — or perhaps just something about Carol Shields and Philip Roth, and about the film industry in general. ...
Oliver Stone says paranoia is par for the course
Movies: Snowden press conference at TIFF 16
The director and stars of Snowden say they now put bandaids over the cameras on their computers and have a new appreciation for what freedom really means
By Katherine Monk
TORONTO — It didn’t take long for Oliver Stone to affirm his public reputation for being a little paranoid, calling President Obama “the most efficient managers of the surveillance world,” pointing out the presence of “rockets 200 miles in space peeking in on us” and accusing the U.S. government of “lying all the time.” In other words, it was everything you could have wanted out of an Oliver Stone press conference. This time, the director of JFK and Nixon was speaking about Snowden, his latest feature screening at the Toronto International Film Festival starring Joseph Gordon-Levitt as whistleblower Edward Snowden and Shailene Woodley as girlfriend Lindsay Mills. “It’s out of control,” Stone said, citing Snowden’s own words from a recent ...
In Praise of Amy Adams
Movies: Toronto International Film Festival
A veteran movie critic spends the day with Amy Adams and concludes she's Oscar bait, as well as a reminder of what Nicole Kidman used to look like before Botox
By Jay Stone
TORONTO — Let us now praise Amy Adams, and all who sail on her. I recently spent a morning with the actress — she was on screen in two movies at the Toronto International Film Festival and I was in the audience, but still — and I concluded that a) she reminds me of what Nicole Kidman would look like if she had more common sense, and b) she might be in line for a couple of Oscar nominations this fall for roles in which she plays troubled women in unhappy second marriages with doomed daughters but, nonetheless, beautiful houses with large windows overlooking vastly photogenic scenery. Both movies — Nocturnal Animals and Arrival — have all that in them, but Adams herself couldn’t be more different and you have to remind yourself that she was also, among ...
Telefilm touts diversity as key to future
News Brief: Canadian Film Industry
Telefilm Canada announces a new diversity initiative designed to increase representation within the "Canadian Film Portfolio" by 2020 through new initiatives and industry partnerships
By The Ex-Press
Right now, it's all just words on a press release, but by 2020 the Canadian film landscape will look a lot different if Telefilm makes good on a promise of "diversity" they made earlier today (Thursday, September 8) in Montreal. Seeking to increase the field of representation to better reflect the population of Canada, Telefilm Executive Director Carolle Brabant declared the following objective: "By 2020, [to] have a more representative and diversified feature film portfolio that better reflects gender, diversity and Canada’s Indigenous communities." To realize the long-term goal, Telefilm will partner with the Canadian Media Producers Association (CMPA) and the Association québécoise de la production médiatique (AQPM) to create ...
The Heaviness Between Oceans
Movie review: The Light Between Oceans
Derek Cianfrance makes another stab at melancholy-laced romance with his adaptation of M.L. Stedman's period novel about a lighthouse keeper and his failure to navigate a moral hazard
Wintour is Coming… to home entertainment
What's Streaming: August
The nights are getting shorter, but there's more to sink your eyeballs into when the sun goes down as Tom Hanks, the Met Gala, a High-Rise horror and The Lobster hit home
By Katherine Monk The First Monday in May (3/5)
Who doesn’t want to go behind the scenes at the Metropolitan Museum of Art? I know I do, even if I’m just getting access to the costume gallery – that small square of space accessible by freight elevator and remote staircases in the bowels of the storied institution on Fifth Ave. Ever since its inception in 1946, the costume institute (now named after Vogue editor and chief fundraiser Anna Wintour) hosts the museum’s annual fundraising ball, which makes or breaks the annual operating budget on the first Monday in May. With so much riding on the Met Gala, you can feel the stress in curator Andrew Bolton’s fashionable fibers from the moment the movie opens. And it ramps up from there as we watch him prepare for the opening of ...
The Daniels: Boys with Feelings
Interview: Dan Kwan and Daniel Scheinert, aka 'The Daniels'
The directing team behind award-winning music videos felt their first feature should take some risks, so they paired a farting corpse with a man bent on suicide in Swiss Army Man
By Katherine Monk
Artsy has never been so fartsy. In the new movie Swiss Army Man, Daniel Radcliffe plays a corpse, Paul Dano plays a suicidal introvert and flatulence assumes a central, life-affirming role in the denouement. Welcome to the world according to ‘The Daniels’ — a unique corner of the universe occupied by Dan Kwan and Daniel Scheinert, two first-time feature directors who found themselves in the Sundance spotlight last January when festival director John Cooper pronounced their debut feature, Swiss Army Man, one to watch at the opening press conference. The Ex-Press caught up with the dynamic duo (who are also responsible for award-winning music videos such as DJ Snake and Lil' Jon's Turned Down for What?) during a ...
Nikolaj Coster-Waldau shuns royal treatment
Interview: Susanne Bier and Nikolaj Coster-Waldau get A Second Chance
He sports prosthetic golden fingers to play the role of Jaime Lannister on Game of Thrones, but Nikolaj Coster-Waldau hates getting a fake hand for any performance, which is why he's grateful for the firm grip of fellow Dane Susanne Bier
By Katherine Monk
TORONTO—In the opening episode of Game of Thrones, his character pushed a young boy from a window without a hint of remorse. But put a fussy newborn in Nikolaj Coster-Waldau’s arms, and the handsome Dane turns into a human pacifier. “It didn’t matter what the babies were doing… if Nikolaj picked them up, they would almost immediately fall asleep,” says director Susanne Bier, referring to the off-camera vibe on her latest film, A Second Chance (En chance til). A relatively small Danish-language drama about a police officer who makes a life-altering decision with good intentions, A Second Chance has been making a slow pass through North American ...
Whit Stillman loves powerful women
Interview: Whit Stillman on Love & Friendship
The American filmmaker creates a fine comic weave using Jane Austen's material, Kate Beckinsale's sharp talents and his unique sense and sensibility for social satire
By Katherine Monk
“I really enjoy dominant, manipulative women. I find them very entertaining,” says Whit Stillman, his tone so matter-of-fact, it almost makes you laugh. Then again, that’s his charm. The director of Metropolitan, Barcelona and The Last Days of Disco built a reputation as a cunning social satirist in the ‘90s for plucking the veil off human vanity to show us the pimples of truth. He also showed a preference for using powerful, insightful and somewhat self-absorbed females as the dainty hand behind his narrative tatting. It’s the reason why his latest endeavor, Love & Friendship, feels like such a natural stitch in Stillman’s oeuvre: It’s based on the work of Jane Austen, the godmother of social satire, a pioneer of female ...
Xavier the Great crushes Cannes skeptics
News: Xavier Dolan wins Grand Prix, Ecumenical Prize at Cannes 2016
Quebec's golden boy picks up second-highest honour at Cannes, but his quest for the coveted golden palm continues, as does his battle with critics
By Katherine Monk
He didn’t win the Palme D’Or, but Xavier Dolan’s double win at this year’s Cannes Film Festival marks the best performance by a Canadian on the Croisette since Atom Egoyan scored a triple with The Sweet Hereafter back in 1997. Dolan won the Grand Prix and the Ecumenical Prize for his latest film Juste la fin du mode (It’s Only the End of the World), a drama that follows a writer with a terminal illness on his final journey home. Based on the stage play by the late Jean-Luc Lagarce, It’s Only the End of the World is Dolan’s sixth feature, and fifth title to be invited to France’s red carpet extravaganza. “Dolan’s two latest awards at Cannes are renewed recognition of his immense talent, of course, but also of the determined ...
