Two new docs offer deep dive on African-American dance icons
Movie review: Ailey and Can You Bring It - Bill T. Jones and D-Man in the Waters
Alvin Ailey and Bill T. Jones redefined modern dance for their generation, but while Ailey's company became the de facto representative of the African-American experience on the legitimate stage, Bill T. Jones lingered in the shadows long enough to truly know himself, and the emotional purpose behind each move.
Boy Erased etches sketch of family versus faith into film history
Movie Review: Boy Erased
Director-actor Joel Edgerton brings Garrard Conley’s memoir of his time in conversion-therapy to the big screen with a cast of powerful voices. Veterans, and fellow Aussies, Russell Crowe and Nicole Kidman form the harmony and chorus, while Lucas Hedges performs a heartbreaking solo as the son of a Baptist minister struggling with sexual identity. The combination of all three is close to a religious experience, writes critic Katherine Monk.
Bohemian Rhapsody misses Mercury’s sexy essence
Movie Review: Bohemian Rhapsody
Rami Malek does an awfully good job of manufacturing an English accent and a sense of sweet mischief, but for all his talent and ambition, he lacks the physical magnetism that defined Freddie Mercury and Queen’s unique place in the arena rock pantheon.
#VIFF2018: A big fattie of a film festival that will alter perception
Movies: Vancouver International Film Festival, #VIFF2018
Boasting more than 216 feature films from 55 countries, The Vancouver International Film Festival is one of the beefiest film smorgasbords on the circuit. It can all be a little overwhelming, but veteran critic Katherine Monk offers five vetted bets to get your cinema season started.
