Sonic the Hedgehog revives cartoon soul
Movie Review: Sonic the Hedgehog
James Marsden shows the movie-going public how to handle a '90s-era videogame character reborn on the big screen as a kid-friendly version of Deadpool: Just roll with it.
Secret Life of Pets 2 regurgitates comic hairballs
Movie review: The Secret Life of Pets 2
Like its predecessor, The Secret Life of Pets 2 proves the people at Illumination Animation pay attention to animal behaviour. So if this collection feels more like a random string of events pulled from strange places, we can find a way to forgive the mess, and love it anyway.
Ruben Brandt, Collector forges an artsy, cinematic self-consciousness
Movie Review: Ruben Brandt: Collector
Packed with masterworks from fine art and movie history, Slovenian filmmaker Milorad Krstic’s animated heist story features a psychotherapist suffering from night terrors and a gang of oddball patients. It’s colourful and kinetic, but is it art, or an exercise in self-conceit?
Alita: Battle Angel embodies modern socialist ideal
Movie Review - Alita: Battle Angel
James Cameron and Robert Rodriguez pull off some careful reprogramming of a Japanese animé heroine by pitting her superior cyborg parts against human selfishness in a post-apocalyptic wasteland.
LEGO Movie 2 misses magical click but still sticks
Movie Review: The LEGO Movie 2 - The Second Part
The absurdist edge and creative intelligence that made the first LEGO movie a masterpiece is eclipsed by shallow self-awareness and plastic brick branding, but the Second Part still builds a world of enchantment by piecing together sibling rivalries with heart.
Benson Shum brings joy to Disney destroyer
Interview: Benson Shum
He grew up sketching trees in Stanley Park, now the Vancouver animator is breathing life into the pixels behind Ralph Breaks the Internet, the latest adventure for two arcade characters learning to console each other.
Isle of Dogs Marks Wes Anderson’s Territory
Movie review: Isle of Dogs
There’s the heavy sigh of melancholy that defines Anderson’s whole oeuvre in this second stop-motion piece of animation, but as it howls at the loss of childhood innocence, it also recreates a little chunk of magic by hand.
