Chappie reboots best bits of Blade Runner, Robocop
A hacked version of Robocop, Chappie takes place in the not-too-distant future, when violent crime has gone viral and police resources are too stretched to contain the chaos.
By Katherine Monk
Infused with ambient paranoia, apocalyptic imagery and an overall sense of social collapse, Neil Blomkamp’s movies operate in a familiar science-fiction setting, but they feel significantly different from Hollywood spectacle. Where the likes of Lucas and Spielberg find ways of affirming all-American value systems through hero-centric stories, Blomkamp doesn’t seem at all interested in themes of god and country. If anything, the South African filmmaker (who makes his home in Vancouver) focuses on the opposite: He ignores the grand rhetoric of the visible and the valued in an effort to hear the slang of the common folk. In his brilliantly bleak feature debut, District 9, Blomkamp re-invented the alien invasion theme by weaving it into Apartheid metaphor, ...
The Lazarus Effect falls flat
Movie review: The Lazarus Effect
Raising the dead gets tired in hipster Frankenstein story as Olivia Wilde and Mark Duplass play mad scientists looking to overcome the fundamental rules of nature Tadacip online https://www.topdrugscanadian.com/
Circling the Drain: Hot Tub Time Machine 2
Starring: Rob Corddry, Craig Robinson, Clark Duke, Adam Scott, Jason Jones, Directed by: Steve Pink Running time: 93 minutes One star out of five MPAA Rating: Restricted
By Katherine Monk
No matter how many times you scour afterward, the filmy scum left by Hot Tub Time Machine 2 lingers like greasy dark ring around the brain. A sequel to the surprisingly okay 2010 comedy about four down-and-out dudes who are given a second chance at redemption with a trip to the past via the titular spa equipment, Hot Tub Time Machine 2 had some built-in appeal: Escapist entertainment has its place in life, and sometimes, all you want to do is take off your cerebral corset and get naked in a hot bubble bath of silliness. It’s not that much to ask for, really: A couple of good jokes to keep you listening to the dialogue, characters that prompt empathy, and maybe a plot that doesn’t have to be explained in every other scene. I congratulate screenwriter Josh Heald ...