Mission improbable, but entertaining
Tom Cruise has just the right amount of crazy to energize the latest film in a series of preposterous action adventures that take us around the world to see breathtaking stunts. Warning: thinking is counter-indicated
Movie review: Vacation feels like work
Though the set-ups take forever and Ed Helms's performance is just plain irritating, there's enough humanity in this vehicle to make us care as it drives American family values into a brick wall -- with Griswold results
Canadian Must-Sees: The Sweet Hereafter
Atom Egoyan crafted a world with a gaping black hole in the centre, pulling characters into a swirling, self-destructive vortex, while simultaneously affirming the redemptive power of love THE SWEET HEREAFTER (1997) 5/5 Directed by: Atom Egoyan Starring: Ian Holm, Sarah Polley, Tom McCamus, Bruce Greenwood, Arsinée Khanjian, Gabrielle Rose, Earl Pastko, Stephanie Morgenstern and Maury Chaykin. Running time: 112 minutes A film that touches on the essence of love by throwing us into the abyss of loss, The Sweet Hereafter marks the apex of the English-Canadian film tradition as it navigates the empty space left in the wake of tragedy with a gentle, but unsentimental eye. Based on the novel by Russell Banks, The Sweet Hereafter focuses on a school bus tragedy in a small town, and the big city lawyer who drives into town looking to point the finger of blame. Ian Holm plays Mitchell Stephens, a slimy litigator who makes a living off of other people’s pain ...
The Look of Silence screams for justice
Joshua Oppenheimer's sequel to The Act of Killing wanted to provide an emotional and moral coda to the original as it sought remorse in the eyes of the guilty, but in every beautiful saturated frame, The Look of Silence finds only the blank face of denial -30-
Movie review: Jimmy's Hall proves haunting
Ken Loach cozies up to the kitchen sink in Jimmy's Hall, a crisply lensed take on a fuzzy chapter in Irish history scarred by friction between communists and the Catholic Church
Movie review: Jimmy’s Hall proves haunting
Ken Loach cozies up to the kitchen sink in Jimmy's Hall, a crisply lensed take on a fuzzy chapter in Irish history scarred by friction between communists and the Catholic Church