Canadian Film Page 121 results

The Canadian Film Page is the place where you can find the latest in news and reviews about Canadian cinema, by veteran critics Jay Stone and Katherine Monk, only in The Ex-Press.com.

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Movie review: Sleeping Giant evokes the darkness of youth

Movie review: Sleeping Giant Three teenagers spending the summer at an isolated park recreate the malice and confusions of adolescence in this small Canadian film with big ambitions Nolvadex no prescription buy Abilify No Prescription Buy Singulair online Buy Diflucan

Nadia Litz and Jai West dig deep in The People Garden

People: Interview - Nadia Litz and Jai West on The People Garden The former actor and first-time feature director says she wanted to create a female character in her 20s who could ride a wave of emotional ambiguity to escape the warm, fuzzy, vulnerable and typically banal female box   By Katherine Monk VANCOUVER, BC – Ambiguity isn’t a topic that generally lends itself to passion, yet a recent sit-down with director-writer Nadia Litz and actor Jai West reveals a mental desire to resist closure that’s near obsessive. “Oh man. Ambiguity is the whole thing…” says Litz. “It’s everything. It’s the theme of the film: that there is no black and white conclusion to anything. It’s what relationships are. It’s what life is. It’s what death is.” When Litz talks about “the whole thing,” she’s talking about The People Garden, her debut feature starring West, Pamela Anderson and Dree Hemingway (daughter of Mariel Hemingway, niece of the late Margaux). ...

Millennium haunted by ghosts of Al Waxman, Maury Chaykin

From the Bottom of the Pile Movies: Blu-ray review - Millennium Finding a little piece of Canada's film past, and a message from the future, in the wreckage of a 1980s science fiction film starring Kris Kristofferson and Cheryl Ladd   Synthroid no prescription buy Nexium online buy Premarin online Lexapro no prescription

Father, motherland, Rossif Sutherland

People: Interview - Rossif Sutherland The Sutherland with the curious accent makes a dark turn in River before preparing for a new Catastrophe on French-Canadian television By Katherine Monk As far as Sutherlands go, he’s the tall one. You could see it when he appeared on stage next to his legendary father, Donald, at the recent Canadian Screen Awards. Rossif’s thick brown hair stood just a shade taller than his father’s flattening white pate. Career-wise, however, there’s still a ways to go before he reaches the same stature as the Sutherland who appeared in M*A*S*H and Ordinary People. Or even that of his half-brother Kiefer. Not that he really cares. “I don't care much about what people think about me. If they don’t like me, they don’t like me. You can be the nicest person in the room… it doesn’t matter…. And I’ve never been very strategic with my choices, and maybe my career has suffered for it,” says Vancouver-born Rossif Sutherland from ...

Handing out Canadian Candy

News: The Canadian Screen Awards 2016 Room cleans up with nine wins in the film category, including best picture, while Schitt's Creek, Book of Negroes and Orphan Black dominate the TV side of Canada's annual awards show... now called The Candys? By Katherine Monk It was pretty good, eh? They had a big stage. A band. Gold statuettes. A host that wasn't William Shatner. And people in the audience -- some of whom were even recognizable. More importantly, this year's Canadian Screen Awards also included a few titles with proven international appeal, such as the TV show Orphan Black and the film Room, the Oscar-nominated drama that cleaned up with nine wins at Sunday night's gala, including best picture, best director, best actress, best actor, best supporting actress and best adapted screenplay for Emma Donoghue. For an awards broadcast that's struggled with audience ambivalence and stumping films with no box-office visibility, this year's show, hosted by Norm Macdonald and ...

News: The National Film Board and Vimeo launch new service

News: Streaming Services New platform showcasing short films from the Oscar-winning studio is available now By The Ex-Press It’s the first rule of drug dealers and encyclopedia salesmen: The first one is always free. And now, the National Film Board will be adopting a similar strategy hoping to get you addicted to short films. Partnering with Vimeo, the on-line streaming service, the NFB has created NFB Shorts on Demand. The subscription-based, on-demand platform (SVOD) was unveiled in a press release late Wednesday — declaring it available immediately. One newly added film will always be available for free, but after that, there’s a $4.99 subscription fee for monthly unlimited streaming, a $1.99 single streaming fee, or a $3.99 charge for download-to-own. The new outlet is designed to showcase the latest work coming out of the acclaimed studio, unlike the current film board website, which allows access to a great deal of the deep and decorated short film ...

Luke Kirby takes another waltz with romance

People: Luke Kirby He played a problematic brand of Prince Charming in Sarah Polley's Take This Waltz and now Canadian-born Luke Kirby is walking a tightrope of sanity as a bipolar Romeo in Paul Dalio's Touched With Fire   By Katherine Monk He played a pedicab-driving Romeo opposite Michelle Williams in Sarah Polley’s Take This Waltz, and now he plays a bipolar brand of Percy Bysshe Shelley in Paul Dalio’s Touched With Fire, but if you think Luke Kirby has a thing for playing the problematic prince charming, it’s just optics. The Guelph-raised Kirby is also a regular on the Sundance Channel crime drama Rectify, did several seasons of the Astronaut Wives Club and recently appeared in The Good Wife. And for those who weren’t paying attention to Canadian cinema at the turn of the present century, Kirby starred as the gay son of traditional Italian parents in Emile Gaudrealt’s Mambo Italiano. “Right now, I’d like to work on my tan if I could find the ...

Ryan Reynolds: swimming in Deadpool success

People: Ryan Reynolds Interview Ryan Reynolds wears his love of Vancouver on his fleshy sleeve with a tattoo of the Nine O'Clock Gun, but thanks to the skyrocketing success of Deadpool, the sexiest dad alive is making a big noise of his own. By Katherine Monk VANCOUVER, BC – He’s officially the hottest star in Hollywood now that Deadpool has racked up a quarter-billion $US in its first week of release and launched an on-line fan frenzy demanding he host SNL, get his own statue in the prairie province of Saskatchewan, and get on with spawning a series of Deadpool sequels. Vancouver’s Ryan Reynolds has come a long way since his so-called “breakout year” back in ’02-’03, when he made the leap from recurring roles on TV shows such as Fifteen, The Odyssey and The Outer Limits to being the star of features films. He played a party hound Van Wilder, and a master thief in Foolproof, Canada’s first full-size experiment with the action genre. The whole movie was geared ...

887: Robert Lepage televises the revolution

Theatre: 887 After decades of detouring issues of cultural identity, the veteran writer, actor and director creates his own confessional with 887, a new one-man show that revisits the minutia of memory By Katherine Monk VANCOUVER, BC — Robert Lepage always looks a little uncomfortable up there, standing like a ten-year-old at the altar, hands forcibly clasped, waiting for some wafer-thin affirmation of self. It’s the reason why his one-man shows are probably the best in the world: He can manifest conflict just by standing on stage. The quake of insecurity. It’s deep: A black vein of that shimmers though his oeuvre and powers his creative locomotive, now many cars long, with a relentless head of steam. As a critic who’s followed his shiny train of thought for decades, I’ve always wondered where that dark seam started. And when I had the occasion of interviewing him, I would ask. Whence the duality? Is there a political element? And he would always remain ...

Snowtime! animates a Canadian classic

Movies: Snowtime! The creators behind Snowtime! talk about the challenges of tinkering with an emotional strand of the Quebec's cultural DNA, and getting Celine Dion onboard to sing about loss By Katherine Monk PARK CITY, UT — The footsteps they chose to follow were Yeti-sized craters, but that didn’t stop the filmmakers behind Snowtime! from recreating one of the most popular films in Canadian history. Originally released as a live action feature in 1984, La guerre des tuques went on to become the highest-grossing film of the year in both English and French Canada with well over a $1.2 million in domestic receipts, not to mention several more million in ancillary merchandize in the years that would follow as the film became the go-to Christmas season broadcast — the Rudolph or Frosty for French-Canada. “What you have to understand is this is part of the DNA of the quebec people,” said producer Marie-Claude Beauchamp, who sat down with The Ex-Press during the ...