Emory Cohen finds his inner Tony
The young co-star of Brooklyn says he was inspired by his colourful New York City uncles in creating the role of the gentle plumber who courts Saoirse Ronan
By Jay Stone
TORONTO — Emory Cohen is explaining how he creates characters in his movies. Stealing has a lot to do with it. For instance, for his role in the melancholy love story Brooklyn — in which he plays Tony, a 1950s Italian plumber in love with a lonely Irish immigrant named Eilis (Saoirse Ronan) — Cohen was inspired by Marlon Brando’s working-class character in the drama On The Waterfront, as well as the naturalistic performances in the Italian neo-realist classic The Bicycle Thief. “That’s what I do,” Cohen says. “I basically steal ideas from different performances and try to take on little bits and do it in an Emory Cohen kind of way and see what happens.” What happened in Brooklyn, which is based on a novel by Colm Toibin, is a bit of throwback magic. Tony is an unusual kind of movie ...
Sadness still makes her happy
People: Phyllis Smith
The veteran star of The Office says voicing the role of Sadness in Disney-Pixar's Inside Out was a joyous experience that continues to animate her life
By Katherine Monk
Finding true joy in sadness is the stuff of self-help books, but for Phyliis Smith, it’s become the defining moment of her career—and she’s still in it. Speaking over the phone, apparently from the Midwest home she grew up in with her siblings, Smith’s voice is charged with audible enthusiasm as she talks about her time working on Inside Out. Released theatrically June 19th by Disney-Pixar, the animated feature about an eleven-year-old girl named Riley remains one of the biggest hits of the year, standing at number three for the year with over $355 million in domestic receipts. Now out on home video today, Smith says the minute the movie premiered at Cannes, people told her it would be a turning point—including executive producer and member of the Pixar brain ...
Ramin Bahrani forecloses on 99 Homes
People: Rahmin Bahrani
The writer-director of Man Push Cart returns with 99 Homes, another story about social justice and an economic system that he says creates Donald Trumps, rewards greed and fails to protect families
By Katherine Monk
After directing Man Push Cart a decade ago, the late great Roger Ebert described director Ramin Bahrani as one of the most important new voices in cinema, hailing his ability to see the outsider and sympathize with those silently struggling to find their way. His low-budget dramatic debut focused on a former Pakistani rock star who ended up selling food on the streets of Manhattan, and his more recent At Any Price starring Zac Efron took on the reality of genetically modified crops and their effect on America’s family farms. He is unapologetic about his interest in themes concerning social justice, but Bahrani’s most recent feature, 99 Homes, may be the most trenchant piece of social commentary he’s made so far as it brings us ...
Listen to Me Marlon filmmakers found heart of darkness
Brando narrates his own story in new documentary
Surviving a broken home with alcoholic parents, Marlon Brando found a way to heal using a tape recorder, isolation and a professional obsession with truth that made every performance vibrate with all the beauty, and ugliness, of the human condition
By Katherine Monk
PARK CITY, UT – When Marlon Brando was still alive, his face was scanned using what was, at the time, cutting-edge digital technology. Pulses of laser light crisscrossed his famous profile, swallowing each feature into an algorithm, resulting in an animated, glowing green grid: a Marlon matrix. The footage lingered for years. Then the producers behind Restrepo, Waiting for Sugar Man and James Marsh’s Project Nim got a call from Brando’s estate. “They approached us to do something and we said we’d be delighted, but only if we can make it in a way that is entirely original,” says John Battsek, one of the founders of London-based Passion Pictures – ...
Cameron Labine climbs mountain of manhood
The director and writer behind the new movie Mountain Men explores the nature of masculinity as he sets two brothers into the Canadian wilderness to cope with simmering sibling issues, and a medical emergency
By Katherine Monk
September 3, 2015, VANCOUVER – Like some of mankind’s most classic adventures, it all started with a great fall. Filmmaker Cam Labine was at a full moon party far up the Squamish River on B.C.’s South Coast. He wasn’t “in his right mind,” started wandering, and took a bad tumble in the dark. “That was sort of a wake up call for me,” says Labine, sitting in a warm and decidedly cozy café in Vancouver’s Strathcona neighbourhood. “Growing up in BC, in Maple Ridge, you sort of spend a lot of time outdoors. At least, I spent a lot of time camping and snowboarding and hiking… and you end up feeling comfortable in the mountains, like I belong to them. But with the fall came an epiphany: That I am an urban kid and ...
Wes Craven was horrified by horror crown
Wes Craven faced his lapsed Baptist fears and exorcised personal demons through his work, but the man with the graduate degree from Johns Hopkins said his biggest victory was overcoming his anxiety around "The Master of Horror" label
By Katherine Monk
Wes Craven is dead, but his characters will haunt us forever. The master of cinematic Screams and A Nightmare on Elm Street passed away of brain cancer August 30 at the age of 76, but he leaves more than a scar on our collective subconscious thanks to the razor-fingered Freddy Krueger. Like many horror auteurs, Craven’s work forced us to experience the world differently: To feel fear, and in turn, to feel more alive. “My films are about waking up... and no matter what you do, don’t fall asleep. The idea is to be here now; to live in the moment, and to understand what’s happening between yourself and the other,” Craven once told me in an interview. It was over the phone, done when George W. Bush ...
Patricia Clarkson takes the wheel
The veteran of stage and screen buckles up for a bumpy ride in Learning to Drive, a new film that puts the pedal to the metal of marriage breakdown with surprisingly comic results thanks to co-star Sir Ben Kingsley, and the gentle hand of director Isabel Coixet
By Katherine Monk
TORONTO – There’s something undeniably regal about Patricia Clarkson, even when she’s vomiting into a toilet and playing an entirely unlaced woman of letters. It’s an underlying strength that inhabits every bone in her sinewy body, and you can feel it in her relaxed presence. She’s a woman who is comfortable in her own skin, and it shines through every freckle. “I was fed perseverance as a child,” she says. “I have a very strong mother, and strong parents who were loving and gave me the confidence and ability to survive.” Clarkson says she had to rely on that deep well of self-possession when she started Learning to Drive. A new film directed by ...
Blowing up millennial angst in Fort Tilden
Bridey Elliott and Clare McNulty play two young women from Williamsburg who detonate hidden comedy land mines tripping on millennial terrain in the new movie Fort Tilden, the prize-winning feature debut from director-writers Sarah-Violent Bliss and Charles Rogers
By Katherine Monk
It’s a road movie in rompers, a coming-of-age story without a defining moment of arrival, and a prize-winning festival film that speaks to an entire generation of young people born at the turn of the millennium. That said, you can understand why Fort Tilden was labeled a ‘movie about millennials’ since its world premiere at the 2015 South by Southwest festival in Austin, where it picked up the grand jury prize for best narrative feature. A comic adventure featuring two privileged 20-somethings searching for purpose as they make an ill-fated foray toward the beach, Fort Tilden stars Bridey Elliott and Clare McNulty as Harper and Allie – best friends, roommates and ...
Rod Mickleburgh is Still mourning
Tribute: Larry Still, Journalist
Larry Still, the late Vancouver Sun courts reporter and the author behind the Limits of Sanity possessed old-school skills, a sharp wit and reliable shorthand that allowed him to write long about the law
By Rod Mickleburgh
We’ve lost another of those legendary reporters from what, in retrospect, was a golden age of journalism at the Vancouver Sun. You know, the days when newspapers told you everything you needed to know about your community, your country and the world at large, and more. For 30 years at the Sun, Larry Still was perhaps the best court reporter in the land, undoubtedly the best in B.C. by a country mile. His immaculately-worded coverage of Vancouver’s many long, gripping, often grisly, trials in the last three decades of the twentieth century stand as a tribute to the craft – clear, concise, comprehensive and oh, so readable. As dramatic testimony and give-and-take from the city’s best lawyers played out in the courtro...
Interview: Juliette Binoche laughs off fear of aging
The Clouds of Sils Maria features the French siren in the role of an aging actress agonizing over her latest job: playing the role of the older woman, instead of the ingenue, in a revival of the play that made her famous. Binoche says she wasn't afraid to tackle a reflection of herself, but she did push director Olivier Assayas to face what she calls a "fear of actors... particularly women."
By Katherine Monk
In an age of ubiquitous celebrity, Juliette Binoche is an old-fashioned movie star. It’s more than the Prada blouse that seems to flow over her curves with loving deference, and more than the elegantly honed features that allow her to look both pretty and strong simultaneously. The French actress who emerged in the wake of The English Patient has a presence that moves through a room like precious perfume, a tingle mingled with an essence. Binoche brings her intoxicating powers to every role she’s ever had, from Lasse Halstrom’s Chocolat to Michael ...
