Film Festival 34 results

The Front Runner circles lapse of judgment in a losing cause

Movie Review: The Front Runner Jason Reitman recreates the late-80s political landscape to survey the moment when the sober Republic turned into All-American spectacle: Gary Hart’s soiled Presidential bid, spoiled by sex scandal and the rise of tabloid TV.

Outlaw King reimagines tribal history, bares Pine’s parts

New on Netflix/Movie Review: Outlaw King Chris Pine plays national folk hero Robert the Bruce in David Mackenzie's blood sausage of a costume epic that rewrites a few historical details to serve its dramatic cause, and quench our thirst for more Game of Thrones.

Still time to VIFF and get avay from it all

Movies:  #VIFF18 The Vancouver International Film Festival enters final stretch with enough twists and turns to recalibrate your personal GPS

Still time to VIFF and get avay from it all

Movies:  #VIFF18 The Vancouver International Film Festival enters final stretch with enough twists and turns to recalibrate your personal GPS

#VIFF2018: A big fattie of a film festival that will alter perception

Movies: Vancouver International Film Festival, #VIFF2018 Boasting more than 216 feature films from 55 countries, The Vancouver International Film Festival is one of the beefiest film smorgasbords on the circuit. It can all be a little overwhelming, but veteran critic Katherine Monk offers five vetted bets to get your cinema season started.

Men and women at TIFF 2018

At some of the movies, it's not the same old story any more. As long as the ladies don't try to be in charge By Jay Stone   TORONTO — Today’s topic is the question of men and women, which, despite many scientific advances — dermatologists have done an especially heroic job — remains a thorny one. As I understand the way things stand now, you can decide for yourself what sex you want to be, but if you pick female, you may not get your movie made.   Or maybe that’s not it at all. In any event, we start our day with Widows, a heist thriller from a surprising source: the British visual artist Steve McQueen who became an accomplished filmmaker of intense art-house fare (Shame, Hunger, 12 Years A Slave) and has now moved closer to the mainstream.   Widows is the story of a group of wives whose husbands died in a robbery gone wrong. Now the women have discovered plans for the gang’s next heist, and decide to do it themselves. The impetus for the ...

At TIFF 2018, it’s all about the music

Movies: #TIFF18, Toronto International Film Festival The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir By Jay Stone (September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria. You can sometimes forget the importance of music in ...

At #TIFF18, it’s all about the music

Movies: #TIFF18, Toronto International Film Festival The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir By Jay Stone (September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria. You can sometimes forget the importance of music in movies, ...

#TIFF2018: Skipping the lineups

Movies: #TIFF18, Toronto International Film Festival Our correspondent finds ways to see all the Donald Trump-themed films he wants, and with no waiting required By Jay Stone (September 8, 2018) TORONTO — Today we invoked another Toronto film festival rule for the retired critic, which is that we don’t stand in line for anything. This is partly because life is too short, and partly because you might not get in anyway and so you’ve used up some of your precious remaining minutes idly shifting from one leg to the other, indulging in the futile hope of getting a seat that will probably be in the front row, and standing behind people who talk in bored nasal voices about their film festival experiences. One tries not to listen, but one is human, after all, and one is in danger of grinding away all the remaining enamel on one’s teeth. The downside of this guideline is that one doesn’t get to see a lot of movies that everyone else is dying to see, which is perhaps not serving ...

TIFF 2018 without the lineups

Movies: #TIFF18, Toronto International Film Festival Our correspondent finds ways to see all the Donald Trump-themed films he wants, and with no waiting required By Jay Stone TORONTO — Today we invoked another Toronto film festival rule for the retired critic, which is that we don’t stand in line for anything. This is partly because life is too short, and partly because you might not get in anyway and so you’ve used up some of your precious remaining minutes idly shifting from one leg to the other, indulging in the futile hope of getting a seat that will probably be in the front row, and standing behind people who talk in bored nasal voices about their film festival experiences. One tries not to listen, but one is human, after all, and one is in danger of grinding away all the remaining enamel on one’s teeth. The downside of this guideline is that one doesn’t get to see a lot of movies that everyone else is dying to see, which is perhaps not serving one’s readersh...