Star Wars goes back to the future
Movie review: Star Wars - The Force Awakens
The long-awaited new movie reclaims the universe of Star Wars, makes it fresh again, and still finds room for old favorites like Harrison Ford and Carrie Fisher
Pointless and broken
Movie review: Point Break
The remake of Kathryn Bigelow's cult classic about two dudes on opposite sides of the law is a murky bore
Rod Mickleburgh’s Cool Yule Top Ten
Music: Christmas Carols
A devout atheist reveals an unrepentant penchant for Christmas carols, and offers a list of top yule tunes, as well as a few nasty disasters from the past
By Rod Mickleburgh
A confirmed atheist from birth, I nevertheless fell under the spell of Christmas carols early on in my twisted, hippie life. I well remember a time when, in the days leading to Christmas, CBC Radio would broadcast the singing of carols every morning from the Timothy Eaton’s Store in Toronto. And this was no professional choir. The singers were the shoppers, and whoever else showed up to carol at 8.30 a.m., when the half-hour live broadcast began. Complete with coughing, the grave, echo-y announcements of the next carol, the audible rustling of the carol sheets and finally, the glorious sound of all those voices raised on high, it was an indelible part of my “child’s Christmas in Newmarket”. I can tell you they never did Rudolph the Red-Nosed Reindeer or Frosty the ...
Rod Mickleburgh's Cool Yule Top Ten
Music: Christmas Carols
A devout atheist reveals an unrepentant penchant for Christmas carols, and offers a list of top yule tunes, as well as a few nasty disasters from the past
By Rod Mickleburgh
A confirmed atheist from birth, I nevertheless fell under the spell of Christmas carols early on in my twisted, hippie life. I well remember a time when, in the days leading to Christmas, CBC Radio would broadcast the singing of carols every morning from the Timothy Eaton’s Store in Toronto. And this was no professional choir. The singers were the shoppers, and whoever else showed up to carol at 8.30 a.m., when the half-hour live broadcast began. Complete with coughing, the grave, echo-y announcements of the next carol, the audible rustling of the carol sheets and finally, the glorious sound of all those voices raised on high, it was an indelible part of my “child’s Christmas in Newmarket”. I can tell you they never did Rudolph the Red-Nosed Reindeer or Frosty the Snowman. ...
The Big Short goes long on greed
Movie review: The Big Short
Capitalizing on his comedy savvy talent, director-writer Adam McKay turns Wall Street's crooked ways into a fragmented farce that makes us laugh at our own funeral
Bolshoi Babylon breaks ballet’s legs
Movie review: Bolshoi Babylon
Documentary filmmakers Nick Read and Mark Franchetti go behind the red velvet and once iron curtain to unveil the ugly beauty that is Russia's legendary ballet company
Bolshoi Babylon breaks ballet's legs
Movie review: Bolshoi Babylon
Documentary filmmakers Nick Read and Mark Franchetti go behind the red velvet and once iron curtain to unveil the ugly beauty that is Russia's legendary ballet company
Does Mad Men Make Women Angry?
Podcast: Pop This!
The digital divas take on the tale of two Mrs. Drapers, television's serial rape culture, and whether the chair-spinning moment in The Voice is a thrill or flat contrivance
Featuring Lisa Christiansen and Andrea Warner. Produced by Andrea Gin.
A sampling of what you might hear in this week's episode: "I did not care for the end of Mad Men, I hated the final episode." "At what point am I complicit in the rape culture by tuning in?" "I celebrate shows that have lots of sex." "Girls is over..." "I highly recommend Casablanca, the original, not the Pamela Anderson remake." ...and so, so much more.
For past episodes, click here. Or subscribe to Pop This! on iTunes.
THE EX-PRESS, December 20, 2015
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Mississippi Grind percolates
Movie review: Mississippi Grind
The team behind Half Nelson and Sugar return with a film about chronic gambling that isn't as depressing as it probably should be, thanks to a pair of pocket kings in Ryan Reynolds and Ben Mendelsohn