Widows buries thriller formula and finds female power
#OscarCheck2018
Movie Review - Widows
Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo, Widows could still blow things wide open.
TIFF 2018: The top 10 movies to watch for this fall
Movies: #TIFF18, Toronto International Film Festival
On his 25th anniversary of covering the Toronto film festival, a critic decides he is ready for the quieter side of cinema. By Jay Stone
(September 5, 2018) - I’ve been going to the Toronto film festival for 25 years, which means I’ve seen maybe 1,000 movies there, interviewed almost as many celebrities, and enjoyed so many all-you-eat shrimp buffets that I believe my liver is now breaded. I’ve sat in hundreds of darkened cinemas and endured millions of feet of film — back when film had feet; hell, back when there was film at all — filtered through modern sound systems that seem to assault your eardrums directly through your eyeholes. When people ask me what I’m looking forward to this year, I tell them I would be grateful to return with the shreds of my hearing intact. I think it’s a pretty good answer too, given that most of the time I didn’t hear the question. But you want to know about the films. ...
Papillon escapes a gritty chrysalis with little flutter
Movie review: Papillon
Charlie Hunnam looks a little like the late Steve McQueen, which makes comparisons to the 1973 Frank Schaffner classic harder to ignore, and Hunnam’s task all the more challenging as he’s forced to escape an island of fortified expectations.
