The Ex-Press Oscar Predictions 2016
Movies: Oscars 2016
Our expert guide -- and some good guesses -- about who will win the little man with the gold complexion come curtain time
By Katherine Monk
Chris Rock is in a hard place. Hosting this year’s Oscars isn’t a task for amateurs who get by on dimples, he’ll need to do an entirely different song and dance and address, and hopefully undress, the diversity issue that continues to ripple through every corner of the industry, putting legendary stars in embarrassing situations. Poor Meryl Streep. You know she’s going to get some zinger about about how “we all come from Africa.” And poor Sylvester Stallone, having to represent Creed as the white guy, and poor Bryan Cranston and Michael Fassbender who handed in spectacular performances as two different brands of genius in Trumbo and Steve Jobs but will not take home the big prize. It was a year of great performances in so-so movies, or at least movies that never fully connected with audiences in the ...
Top Ten 2015: Women land box-office blows for a surprise win
Movies: Top Ten 2015
Women stormed the box-office with raw power and profound emotional insight, overcoming Hollywood's institutional misogyny
By Katherine Monk
Let’s hear it for the girls. Though the year started slowly with just a handful of bright moments on what seemed to be a rather bleak horizon — from a pruny soak in a Hot Tub Time Machine and a disappointing date with The Avengers — 2015 ended up celebrating the fair sex in surprise fashion, starting with Mad Max’s furious females lead by Charlize Theron. The movie was kicked from the ticket wicket by Elizabeth Banks’s Pitch Perfect chorus, but there was still plenty of room for revision as Melissa McCarthy took on the spy genre and Amy Poehler and Phyllis Smith deconstructed the adolescent female psyche in Inside Out. James Bond lost a bit of box-office mojo with Spectre – pulling in $196 million domestically, compared to Skyfall’s $304 million – but while Hollywood expressed concern over a grim ...
Truth is stranger than TIFF
Real-life dramas make their appearance at the Toronto film festival, but sometimes in the movies, facts get in the way of a good story
By Jay Stone
TORONTO — Truth occasionally makes an appearance at a Toronto International Film Festival, although usually not in the presence of a movie star (“You were great, Kevin!”) It pops up in a few movies, more or less; not just in documentaries, its natural home, but in the Hollywood versions of real-life stories, usually twisted ever so slightly to make it more interesting, or cinematic, or sellable. Sure, truth is stranger than fiction, but the challenge is to make it more lucrative. The biggest “true” story at TIFF is Spotlight, the Tom McCarthy version of the real-life expose by the Boston Globe of the scandal of sexual abuse of children by Catholic priests (the Globe won the 2003 Pulitzer prize for the story.) Spotlight — the name of the four-person investigative team at the Globe that ...
