Transformers: The Last Knight Falls on its long sword
Movie Review: Transformers - The Last Knight
Michael Bay's fifth Transformers monstrosity features the ever-charming Mark Wahlberg kicking mechanical can down the curb once more in a messy collision of story, character and Saturday morning merchandizing
Ex Machina dangles a divine equation
Movie review: Ex Machina
Writer Alex Garland makes an impressive directing debut retooling Greek tragedy with silicon parts, writes Katherine Monk
Chappie reboots best bits of Blade Runner, Robocop
Droidful!
A hacked version of Robocop, Chappie takes place in the not-too-distant future, when violent crime has gone viral and police resources are too stretched to contain the chaos.
By Katherine Monk
Infused with ambient paranoia, apocalyptic imagery and an overall sense of social collapse, Neil Blomkamp’s movies operate in a familiar science-fiction setting, but they feel significantly different from Hollywood spectacle. Where the likes of Lucas and Spielberg find ways of affirming all-American value systems through hero-centric stories, Blomkamp doesn’t seem at all interested in themes of god and country. If anything, the South African filmmaker (who makes his home in Vancouver) focuses on the opposite: He ignores the grand rhetoric of the visible and the valued in an effort to hear the slang of the common folk. In his brilliantly bleak feature debut, District 9, Blomkamp re-invented the alien invasion theme by weaving it into Apartheid metaphor, ...