Crazy Rich Asians takes rom-com for a luxury ride
Movie review: Crazy Rich Asians
Jon M. Chu’s adaptation of the Kevin Kwan bestseller proves money trumps ethnicity and genre is universal as we watch a Romeo and Juliet romance unravel in the middle of Singapore.
Unsane Gets Under the Membrane
Movie review: Unsane
Steven Soderbergh brings a fisheye lens and a personality experiment to a thriller set in a psychiatric centre, where Claire Foy checks her crown for a hospital gown as Sawyer Valentini, an unwilling patient who believes her stalker is to blame.
A direct hit to the head of the NFL
Movie review: Concussion
Thanks to a cast that's just as comfortable with comedy as drama, Peter Landesman's forensic examination of the NFL's inaction on head injuries is more than a preachy lesson in institutional denial, it's a gentle testament to the importance of human compassion
Review: Peaches pushes the body politic
The performance artist, composer and electronic musician hit the stage accompanied by dancing labia then took a walk over the crowd encased in a gigantic condom
By Katherine Monk
October 6, 2015, VANCOUVER, BC -- Katy Perry has dancing sharks. Peaches has dancing labia. There’s a good argument to be made for the merits of each mascot sidekick – an uncoordinated shark made Perry’s Super Bowl performance a viral sensation, and Peaches plushy vulvas have brought the Toronto-raised, Berlin-based performance artist international acclaim as a gender activist with a sense of humor. But even without the shock value of gigantic stuffed genitalia prancing around the stage, there’s a clear difference in showmanship and intent that makes a Peaches show more than a night of entertainment. The woman born Merrill Beth Nisker is able to straddle disparate worlds through her weird mise-en-scene that uses the tricks of arena rock theatrics while mocking their phallocentric ...