Game Night: A Pretty Box but a Bored Game
Movie Review: Game Night
Jason Bateman has a comic edge all his own, but the only sharp knife in this junk drawer of cluttered genre is Rachel McAdams, who brings perfect timing and believable emotions to a farce about a murder mystery gone awry.
The Little Prince gets a little lost
Movie review: The Little Prince
An uneven effort with plenty of good intentions, Mark Osborne's adaptation of Antoine de Saint-Exupéry's kid-lit classic gains a new dimension but loses some depth
Wim Wenders finds warmth in Canadian winter
People: Wim Wenders
The German filmmaker says he used stereoscopic 3D technology in Every Thing Will Be Fine, his latest art film about grief and loss, in a bid to bring depth to Quebec's unique landscape
By Katherine Monk
TORONTO – His voice sounds like something straight out of a fairy tale: a soft German accent bending over vowels with a delicate arc and a deep warm tone that seems to echo through hand-milled timber. Even his name, Wim Wenders, feels like a plucky character from a Grimm plot, so the fact that this German auteur has transformed the stark hues and blinding skies of the Canadian landscape into a cozy microcosm feels strangely natural. Every Thing Will Be Fine is Wenders’s 46th film, but it marks a series of firsts: It’s his first film in Canada, his first shoot in winter, and the first time any auteur has used 3D technology in the heady pursuit of an art film. Wenders always thought the technology was used poorly – a point he proved in ...
Every Thing Will Be Fine, not great
Movie Review: Every Thing Will Be Fine
German filmmaker Wim Wenders turns the Canadian landscape into a snow globe with 3D technology, and a cast that includes Rachel McAdams, Marie-Josée Croze and the near-omnipresent James Franco
Spotlight’s tarnished details make it shine
The real story behind a Pulitzer-winning series
Director Tom McCarthy creates cinematic tension by setting two institutions on a collision course as the Catholic Church and The Boston Globe wrestle arrogance and ego while professing human compassion
Spotlight's tarnished details make it shine
The real story behind a Pulitzer-winning series
Director Tom McCarthy creates cinematic tension by setting two institutions on a collision course as the Catholic Church and The Boston Globe wrestle arrogance and ego while professing human compassion
Truth is stranger than TIFF
Real-life dramas make their appearance at the Toronto film festival, but sometimes in the movies, facts get in the way of a good story
By Jay Stone
TORONTO — Truth occasionally makes an appearance at a Toronto International Film Festival, although usually not in the presence of a movie star (“You were great, Kevin!”) It pops up in a few movies, more or less; not just in documentaries, its natural home, but in the Hollywood versions of real-life stories, usually twisted ever so slightly to make it more interesting, or cinematic, or sellable. Sure, truth is stranger than fiction, but the challenge is to make it more lucrative. The biggest “true” story at TIFF is Spotlight, the Tom McCarthy version of the real-life expose by the Boston Globe of the scandal of sexual abuse of children by Catholic priests (the Globe won the 2003 Pulitzer prize for the story.) Spotlight — the name of the four-person investigative team at the Globe that ...
