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The Promise not worth keeping

#TIFF16: Critic's Dispatches A bad old-fashioned historical drama about the Armenian genocide revisits final days of Ottoman Empire while La La Land and few gin and gingers quench artistic thirst By Jay Stone TORONTO — They threw a party last night at the Toronto International Film Festival where they served a delicious drink made of gin and ginger ale, and you could have as many as you want. When I regained consciousness, it was time for The Promise, a bad old-fashioned historical drama in which the troubles of three little people — in this case, an Armenian apothecary (Oscar Isaac), a comely dance teacher (Charlotte Le Bon) and an American journalist (Christian Bale) — don’t amount to a hill of beans when they’re cast across the vast and clichéd canvas of tragedy during the First World War. Fusillades of exposition fly across the screen, capturing our doomed heroes in a crossfire of clunky dialogue, tired movie tropes, and earnest over-acting. Pass the gin and ...

Ferdia Walsh-Peelo hums along Sing Street

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