Movie review: Memory seems eerily familiar
Movie review: Memory
Liam Neeson fights a sense of deja-vu as he plays a character seeking to settle a score while fighting a failing mind. Thanks to the addition of Guy Pearce as the FBI foil, the manly tango makes an impression.
Widows buries thriller formula and finds female power
Movie Review - Widows
Steve McQueen's follow-up to 12 Years a Slave is a female-driven heist film based on a beloved British TV series. For most directors, making a genre thriller would put them out of Oscar contention. But the award-winning McQueen isn’t your average director, and in the wake of #MeToo, Widows could still blow things wide open.
Men and women at TIFF 2018
At some of the movies, it's not the same old story any more. As long as the ladies don't try to be in charge
By Jay Stone
TORONTO — Today’s topic is the question of men and women, which, despite many scientific advances — dermatologists have done an especially heroic job — remains a thorny one. As I understand the way things stand now, you can decide for yourself what sex you want to be, but if you pick female, you may not get your movie made. Or maybe that’s not it at all. In any event, we start our day with Widows, a heist thriller from a surprising source: the British visual artist Steve McQueen who became an accomplished filmmaker of intense art-house fare (Shame, Hunger, 12 Years A Slave) and has now moved closer to the mainstream. Widows is the story of a group of wives whose husbands died in a robbery gone wrong. Now the women have discovered plans for the gang’s next heist, and decide to do it themselves. The impetus for the ...