The Look of Silence screams for justice
Joshua Oppenheimer's sequel to The Act of Killing wanted to provide an emotional and moral coda to the original as it sought remorse in the eyes of the guilty, but in every beautiful saturated frame, The Look of Silence finds only the blank face of denial -30-
Movie review: Jimmy’s Hall proves haunting
Ken Loach cozies up to the kitchen sink in Jimmy's Hall, a crisply lensed take on a fuzzy chapter in Irish history scarred by friction between communists and the Catholic Church
Movie review: Jimmy's Hall proves haunting
Ken Loach cozies up to the kitchen sink in Jimmy's Hall, a crisply lensed take on a fuzzy chapter in Irish history scarred by friction between communists and the Catholic Church
Amy Winehouse documentary delivers shivers
Asif Kapadia allows his camera to become an emotional confessional to his subjects in the profoundly moving Amy, a documentary portrait of another musical luminary prematurely darkened by a deep love deficit
Magic Mike XXL has man-candy but no mojo
Steven Soderbergh's dark horse is turned into a gelding at the hands of director Gregory Jacobs, who squeezes his manly talent too hard, and turns off the ladies with crass crotch grabs and dull conversation, writes Katherine Monk
Director trades quick-draws for Slow West
First-time feature director John Maclean takes on western archetype and the core ideals of the American ethos in Slow West, his Sundance-winning feature starring Michael Fassbender and Kodi Smit-McPhee
By Katherine Monk
It's a genre marked by star-shaped badges and John Wayne’s lanky swagger, an optimistic ode to masculine heroes and horses. Yet, for all the fanatical affection lathered on westerns as a fundamental part of the American identity, historically speaking, most westerns are horse manure. It’s a point John Maclean isn’t all that eager to assert right off the top, given he’s a Scotsman and his debut feature, Slow West, takes the viewer straight back to the open prairie and the romantic vistas revealed in early John Ford movies. “Being Scottish, and tackling such a sacred American genre certainly crossed my mind the first time I watched it with an audience in the U.S.,” says Maclean, shortly after the film’s world premiere at the Sundance film festival, ...
Movie review: Max bites emotional jugular
Though littered with sentiment and family movie hokum, this story of a military dog suffering from post-traumatic stress finds the essence of true friendship, prompting uncontrolled saline leaks from the eyeball, writes Katherine Monk
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Movie review: Max bites emotional jugular
Though littered with sentiment and family movie hokum, this story of a military dog suffering from post-traumatic stress finds the essence of true friendship, prompting uncontrolled saline leaks from the eyeball, writes Katherine Monk
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Movie review: Inside Out a happy head trip
Disney Pixar takes a long walk down an infinite pier of personal identity in Inside Out, an animated tour of developmental psychology that captures the pain of growing up using primary colours and Amy Poehler's voice