Searching for the legacy of Al Purdy
When film critic Brian D. Johnson retired, he became a filmmaker himself. His first project: a documentary about the difficult, brilliant (and strangely forgotten) Canadian poet
By Jay Stone
TORONTO — “You can argue whether he was our greatest poet, but certainly he was our most Canadian poet. No one wrote about the land the way that he did. If the Group of Seven was a bar band, they might sound like Al Purdy.” It’s a warm September afternoon and Brian D. Johnson is sitting at an outdoor table at a coffee place he likes near the Toronto International Film Festival. He’s in the sun, hatless, and there is sweat on his forehead. Furthermore, people keep stopping to interrupt us because Johnson is a pretty popular guy in the film festival district, and also because, at this year’s festival, he’s a bit of a celebrity. He was the film critic for Maclean’s magazine for 28 years. Now, at 66, he has retired (“I’ve had a career. I’m looking for the sweeter ...
Hitchcock and Truffaut offer film 101
Movie Review:
Documentary about a groundbreaking book shows how the legendary film director thought about movies, audiences — and Jimmy Stewart's erection in Vertigo
Movie review: Remember a moving drama
Atom Egoyan's new movie Remember — about an aging Holocaust survivor plotting revenge — is a moving and surprising feat of storytelling, and featuring a great performance
Emory Cohen finds his inner Tony
The young co-star of Brooklyn says he was inspired by his colourful New York City uncles in creating the role of the gentle plumber who courts Saoirse Ronan
By Jay Stone
TORONTO — Emory Cohen is explaining how he creates characters in his movies. Stealing has a lot to do with it. For instance, for his role in the melancholy love story Brooklyn — in which he plays Tony, a 1950s Italian plumber in love with a lonely Irish immigrant named Eilis (Saoirse Ronan) — Cohen was inspired by Marlon Brando’s working-class character in the drama On The Waterfront, as well as the naturalistic performances in the Italian neo-realist classic The Bicycle Thief. “That’s what I do,” Cohen says. “I basically steal ideas from different performances and try to take on little bits and do it in an Emory Cohen kind of way and see what happens.” What happened in Brooklyn, which is based on a novel by Colm Toibin, is a bit of throwback magic. Tony is an unusual kind of movie ...
You can vote on climate films
Young filmmakers from around the world enter festival of short movies about the environment shot on mobile devices
By Jay Stone
There’s a film from France in which a man in horror mask chops down a tree — but it’s really a young girl. There’s an Indian movie that illustrates the coming crisis by showing the hands of a person paying more and more money for smaller and smaller bottles of water, until, a few decades from now, there’s none left. There’s a British film about a man who becomes so irritated by the “mad prophet” of climate change that he kills him, only to discover that he has in fact killed the very air he breathes. They’re all part of the Mobile Film Festival, a competition that challenged young filmmakers from around the world to make one-minute movies about climate change on their mobile devices. The organizers received 765 movies from 70 countries, and winnowed them down to 75 finalists. It’s an official event of COP21, the Paris conference ...
