David Bowie’s Top Ten movies
Tribute: David Bowie
As the world mourns the loss of an icon who changed pop music, let's not forget David Bowie's impressive, and sometimes abysmal, body of work on the big screen because it was all part of a greater performance
By Katherine Monk
VANCOUVER - The I-5 was a ribbon of wet blackness that emerged, intermittently, with each croaking swipe of the wipers. It was going to be a long drive from Vancouver to Tacoma, and in late October rain without someone to talk to, it was going to feel even longer. No one wanted to see Bowie with me. Not this tour, at any rate. My partner was a former music promoter. After a lifetime of walking around with a headset and a deck of laminates around her neck, she had no desire to be a plus-one in press seats. Besides, it was the Outside tour. A 1995 conceptual opera featuring Nine Inch Nails and Bowie playing the character of Nathan Adler, a man who judges the worthiness of art in a post-apocalyptic future, the Outside tour proved ...
David Bowie's Top Ten movies
Tribute: David Bowie
As the world mourns the loss of an icon who changed pop music, let's not forget David Bowie's impressive, and sometimes abysmal, body of work on the big screen because it was all part of a greater performance
By Katherine Monk
VANCOUVER - The I-5 was a ribbon of wet blackness that emerged, intermittently, with each croaking swipe of the wipers. It was going to be a long drive from Vancouver to Tacoma, and in late October rain without someone to talk to, it was going to feel even longer. No one wanted to see Bowie with me. Not this tour, at any rate. My partner was a former music promoter. After a lifetime of walking around with a headset and a deck of laminates around her neck, she had no desire to be a plus-one in press seats. Besides, it was the Outside tour. A 1995 conceptual opera featuring Nine Inch Nails and Bowie playing the character of Nathan Adler, a man who judges the worthiness of art in a post-apocalyptic future, the Outside tour proved ...
Rod Mickleburgh has a Burroughs flashback
The Beats go on in North Vancouver: Presentation House Gallery mounts visual chronicle of the era as witnessed by Allen Ginsberg
By Rod Mickleburgh
I met William Burroughs once. It was during my magical year in Paris (sigh). I’d read in Libération that morning that the legendary icon of the Beats would be at the City of Light’s annual Salon du Livre at the Grand Palais. I thought ‘what the hell’, and went down to catch a glimpse of the famous man, who had been such a part of the Kerouac/Ginsberg Beat generation of writers. In On the Road, the book that changed my life, Burroughs appears as Old Bull Lee. An insatiable consumer of drugs, Burroughs fatally shot his wife during a crazed William Tell re-enactment in Mexico, hung out in Tangiers where the less said about his proclivity for underage boys the better, and found time to write such underground classics as Junkie and Naked Lunch, turned into a movie by the strange David Cronenberg. (My parents ...
