Home releases: What’s streaming your way in June
Kevin Costner cocks the starter pistol, Liam Neeson runs all night, John Travolta fakes it, Colin Firth pops his brolly and Will Ferrell and Kevin Hart Get Hard -- but it's Red Army's Fetisov who scores on DVD, Blu-ray and VOD, writes Katherine Monk
By Katherine Monk
McFarland (2015) 3.5/5 Starring: Kevin Costner, Maria Bello, Ramiro Rodriguez, Carlos Pratts, Johnny Ortiz, Morgan Saylor. Directed by Niki Caro. Running time: 129 minutes. Parental Guidance. In sports movies, cliché comes on the side – like coleslaw. You don’t ask for it, and you may not even like it, but there it is: a little white paper cup filled with shredded cabbage, a silent affirmation that you got what you paid for. The coleslaw in McFarland is the idea of the underdog competitor, in this case, a group of Latino high school students in southern California. Jim White (Kevin Costner) used to coach football at a school for privileged white kids, but after he loses his temper, he’s fired ...
Home releases: What's streaming your way in June
Kevin Costner cocks the starter pistol, Liam Neeson runs all night, John Travolta fakes it, Colin Firth pops his brolly and Will Ferrell and Kevin Hart Get Hard -- but it's Red Army's Fetisov who scores on DVD, Blu-ray and VOD, writes Katherine Monk
By Katherine Monk
McFarland (2015) 3.5/5 Starring: Kevin Costner, Maria Bello, Ramiro Rodriguez, Carlos Pratts, Johnny Ortiz, Morgan Saylor. Directed by Niki Caro. Running time: 129 minutes. Parental Guidance. In sports movies, cliché comes on the side – like coleslaw. You don’t ask for it, and you may not even like it, but there it is: a little white paper cup filled with shredded cabbage, a silent affirmation that you got what you paid for. The coleslaw in McFarland is the idea of the underdog competitor, in this case, a group of Latino high school students in southern California. Jim White (Kevin Costner) used to coach football at a school for privileged white kids, but after he loses his temper, he’s fired and forced ...
Snow White and the seven emotions
Inside Out is the story of an 11-year-old girl's emotions. But almost 80 years ago, Disney had another movie that looked at feelings in a similar way
By Jay Stone
The near universal praise for the Pixar film Inside Out (98 per cent and counting on Rotten Tomatoes, and the demurrals seem pro forma) are partly due to the very audacity of the idea. This is an animated film about the emotions of an 11-year-old girl named Riley: how Joy, Fear, Anger, Disgust and Sadness work together — or sometimes at odds — to form a human personality in flux. It arrives as a Disney film without a villain and without a princess (although, parenthetically, even the most mundane marketing department — and Disney’s is far from that — should find many opportunities for toys, dolls and other associated merchandise. One fully expects to see hordes of little Angers and Joys trooping to the house next Halloween.) However, that’s the least of ...
Ornette Coleman’s death prompts a dramatic resurrection
Among the people at the bar in 1959 when the jazz revolutionary Ornette Coleman played his historic engagement at the Five Spot in New York was Charley Gordon, then a political science student who would have rather been a trumpet player. He worked that episode into a play, as yet unproduced. Coleman's death this week brought the play out of a desk drawer. This is a scene from A Different Drummer. SCENE 1
A nightclub, jazz playing in the background. Rich and George and a total stranger are sitting at the bar. Rich is drunk, talking to the Total Stranger. RICH You know the way I am, first thing I notice is the drummer. But I don’t know who this guy his. He’s just driving like crazy. The horn stuff is odd, but I’m just fixating on him. I’m trying to figure out who this drummer is. I’m 20 years-old, right, and I read Downbeat, cover to cover, memorize the fucking thing. But I never heard of this guy, never saw his picture. I know ...
Ornette Coleman's death prompts a dramatic resurrection
Among the people at the bar in 1959 when the jazz revolutionary Ornette Coleman played his historic engagement at the Five Spot in New York was Charley Gordon, then a political science student who would have rather been a trumpet player. He worked that episode into a play, as yet unproduced. Coleman's death this week brought the play out of a desk drawer. This is a scene from A Different Drummer. SCENE 1
A nightclub, jazz playing in the background. Rich and George and a total stranger are sitting at the bar. Rich is drunk, talking to the Total Stranger. RICH You know the way I am, first thing I notice is the drummer. But I don’t know who this guy his. He’s just driving like crazy. The horn stuff is odd, but I’m just fixating on him. I’m trying to figure out who this drummer is. I’m 20 years-old, right, and I read Downbeat, cover to cover, memorize the fucking thing. But I never heard of this guy, never saw his picture. I know it’s Ornette ...
Interview: Alfonso Gomez-Rejon found new life in death
The director of the Sundance standout Me and Earl and the Dying Girl says he made his first 'personal movie' and it changed him as a filmmaker, and as a man, writes Katherine Monk
By Katherine Monk
“When you suffer a deep loss, you can dive into it and hide – and I had suffered a deep loss,” says Alfonso Gomez-Rejon, the director of Me and Earl and the Dying Girl, opening in theatres this weekend but already one of the most buzzed-about movies of the year thanks to its double-barreled win at this year’s Sundance Film Festival. Gomez-Rejon says he needed to process the loss of his father, but he couldn’t do it head-on. He needed to get some distance, and he found it in the 2013 young adult novel written by Jesse Andrews dealing with two teens who befriend a classmate diagnosed with cancer. “I’d rather not talk about the personal side too much. But the film is dedicated to my father. It’s a private thing that I made public and I don’t regret it because we are ...
Top 5 examples of reality pre-empting the movies
San Andreas is going ahead despite the deadly coincidence of a Nepal earthquake. Other films had to be changed when real-life intervened https://medstaff.englewoodhealth.org/wp-content/languages/new/sinequan.html
https://medstaff.englewoodhealth.org/wp-content/languages/new/wellbutrin.html
https://medstaff.englewoodhealth.org/wp-content/languages/new/zoloft.html
Time has come today, and Apple Watch can have tomorrow
Charley Gordon remembers the good old days when timepieces needed winding and tattooed skin was the exclusive reserve of sailors
By Charley Gordon
How to greet the news that the Apple Watch doesn't quite work when fastened onto tattooed skin? Satirical comment is too easy, isn't it, the news equivalent of a batting practice fastball. Here it comes, not too fast, right over the middle of the plate. You can see the seams. How can you not take a swing at it? But where to start? Point out that the watch is unnecessary. Point out that the tattoo is unnecessary, the two cancelling each other out. Hey, the useless thing I put on my arm is making the useless thing I bought for my wrist useless! Then there is the rant about First World Problems, always a crowd favourite.
Or move, ever more comfortably, into old fuddyduddyism. In my day, you had to wind your watch and it never talked to you, because it had better manners. As for tattoos, you had to be a sailor.
Each of these is a ...
Interview: Ethan Hawke and director Andrew Niccol zero in on Good Kill
Reunited for the first time since Gattaca, the actor and the filmmaker are raising questions -- and their fair share of hell -- with a new movie that takes the viewer inside the new theatre of war: climate-controlled trailers parked on U.S. soil
By Katherine Monk
TORONTO – As the Obama Administration faces mounting pressure to disclose the grisly details of drone strikes on civilians across the Middle East this week, a new movie threatens to blow the whole unmanned aerial vehicle program sky high. It’s called Good Kill, and unlike the handful of documentaries that have already taken the drone strategy to task for its arm’s length summary executions of suspected terrorists, it’s a dramatic film starring solid Hollywood stars Ethan Hawke, January Jones and Canada’s own Bruce Greenwood. Writer-director Andrew Niccol (Gattaca, S1mOne, Lord of War, The Host) says he wasn’t looking for controversy when he started researching the subject and speaking to former drone ...
