TIFF diary: My day in Auditorium 12
What's it like to spend the entire day in one cinema, watching whatever comes along? Jay Stone sets out to find out at the Toronto film festival
The Square and Loveless Share Responsibility for Eye-Opening Day
Movies: #TIFF17
Ruben Östlund's Palme D'Or winning satire of the art world and Andrey Zvyagintsev’s peek into a Loveless Russia address issues of social responsibility in our generic age of self-absorption
By Katherine Monk
TORONTO — One man was lying face down on a street grate to keep warm. He wore no shoes. His feet were blistered and gangrenous black. He was eating what appeared to be a discarded salad with his hands, dirty, swollen, cracked. I walked by him, and about a dozen other bodies wrapped in soiled sleeping bags, on my way to festival headquarters on King Street where the freshly laid red carpet curls out its tongue, anticipating the glitterati. As a Vancouverite, walking past homeless people is routine. Turning a deaf ear to the person with the glazed eyes and a feeble hand stretched into the moving stream of sidewalk treading humanity is such a regular exercise, it doesn’t even register. It’s considered part of the urban experience. Yet, on day one ...
Jay Stone’s Top TIFF Picks for 2017
Movies: #TIFF17
The Toronto International Film Festival hits middle-age with an entourage of famous faces and a long history of cinematic conquests that seems destined to continue with a slate of intriguing titles from the world's best filmmakers
By Jay Stone
TORONTO — The Toronto film festival turns 42 this year, which is a dangerous age: if it was a man, it would probably buy a fancy red sports car that was entirely unsuitable to Canada’s roads or its climate and leave its perfectly serviceable wife for a doctoral student — studying something impractical, one imagines, having to do with postmodern cultural analysis — young enough to be its daughter. The festival hasn’t exactly done that, although one notes that it has lost some of its older friends — 81-year-old auteur Woody Allen, for instance, is taking his new film Wonder Wheel to the New York festival, bypassing Toronto — in favour of younger, more with-it voices. And while festival director Piers Handling ...
Patti Cake$ Bakes Familiar But Tasty Formula
Movie Review: Patti Cake$
Geremy Jasper cooks up Hollywood's sweetest formula in his debut feature about a young woman from New Jersey who craves to make it big in the rap game
Only Living Boy in New York Feels Like Woody Allen Lite
Movie Review: The Only Living Boy in New York
Marc Webb returns to the world of oddball romance in an underwhelming Woody Allen wannabe that features a dependable A-list cast including Jeff Bridges, Pierce Brosnan, Cynthia Nixon and Kate Beckinsale
Good Time Bares Pattinson’s Thespian Teeth
Movie Review: Good Time
Robert Pattinson doesn't need fangs to sink his teeth into the role of a perpetual loser trying to be his brother's keeper in Josh and Benny Safdie's gritty indie that keeps you guessing
Menashe: Ultra-Orthodox Ubermensch
Movies: Interview with Joshua Z. Weinstein
A documentary filmmaker explores the closed world of New York's Hasidic community in his first narrative feature shot entirely in Yiddish with amateur actors and a leading man who'd never set foot in a cinema
By Katherine Monk
There are approximately 330,000 Hasidic and Ultra-Orthodox Jews living in New York City, yet, the community remains largely closed and somewhat mysterious to outsiders. Filmmaker Joshua Z. Weinstein wanted to know more, so he focused his documentary skills on the world at his doorstep in the boroughs and neighbourhoods of his native New York City. The result is Menashe, a narrative feature shot entirely in Yiddish with an amateur cast of community members — some of whom had never set foot in a theatre until the film’s debut at this year’s Sundance Film Festival. Weinstein says the experience was rich and memorable, but it’s not something he’ll do again — if only because as a director, he’d like ...
Hitman’s Bodyguard More Meh than Mayhem
Movie Review: The Hitman’s Bodyguard
Ryan Reynolds and Samuel L. Jackson exchange character clichés in a lazy thriller that misses the mark, aiming for moral high ground under a stack of corpses
Trip to Spain a Modern Male Odyssey
Movie review: The Trip to Spain
The third instalment in Michael Winterbottom's accidental series offers a sustained exploration of male friendships, plus a razor sharp satire of Mick Jagger
