Extra! Extra! There are still a few stories in the naked city
Newspapers may be fading to black, but there's still gold in those grey pages, you just have to pan with patience
By Rod Mickleburgh
As regular readers know by now, I remain a big fan of newspapers, despite their ever-diminishing state. Why, just this week, I found all sorts of goodies distributed among their varied pages. The treasures are still there. You just have to look a bit harder and be a bit more patient these days. So I thought I would share a few. 1. I hadn’t quite realized before that the state most affected by climate change is not media-saturated, rain-starved California, but, of course, Alaska. So far, this summer, wildfires have burned through more than 20,000 square kilometres of Alaskan forestry, a swath larger than all of Connecticut. Other bad stuff, too. An excellent story from Saturday’s Vancouver Sun, written by the Washington Post’s environment reporter, Chris Mooney. http://www.washingtonpost.com/news/energy-environment/wp/2...
What I learned at TIFF's Filmmaker Boot Camp
Making the transition from ink-stained journalist to first-time filmmaker feels like seeing the world from the other side of a two-way mirror
By Katherine Monk
TORONTO — “Did you know everything already?” asked Cameron Bailey, artistic director for the Toronto International Film Festival, looking way too good (as always) for a man who is chronically sleep deprived this time of year. The answer was a wonderfully wishy-washy “yes, and no.” After being a career journalist for 25 years, and after covering TIFF since 1993, when it was still called the Festival of Festivals, the idea of “learning the ropes” could have felt a little remedial. After all, I do know what a publicist does, and I know what sales agents do, and I know personal handlers have a dominant obnoxious gene that has yet to be mapped. I’ve been writing about the film industry for so long, I’ve pretty much seen it — and done it — all. But as I learned at today’s TIFF ...
What I learned at TIFF’s Filmmaker Boot Camp
Making the transition from ink-stained journalist to first-time filmmaker feels like seeing the world from the other side of a two-way mirror
By Katherine Monk
TORONTO — “Did you know everything already?” asked Cameron Bailey, artistic director for the Toronto International Film Festival, looking way too good (as always) for a man who is chronically sleep deprived this time of year. The answer was a wonderfully wishy-washy “yes, and no.” After being a career journalist for 25 years, and after covering TIFF since 1993, when it was still called the Festival of Festivals, the idea of “learning the ropes” could have felt a little remedial. After all, I do know what a publicist does, and I know what sales agents do, and I know personal handlers have a dominant obnoxious gene that has yet to be mapped. I’ve been writing about the film industry for so long, I’ve pretty much seen it — and done it — all. But as I learned at ...
