David Bowie’s Top Ten movies
Tribute: David Bowie
As the world mourns the loss of an icon who changed pop music, let's not forget David Bowie's impressive, and sometimes abysmal, body of work on the big screen because it was all part of a greater performance
By Katherine Monk
VANCOUVER - The I-5 was a ribbon of wet blackness that emerged, intermittently, with each croaking swipe of the wipers. It was going to be a long drive from Vancouver to Tacoma, and in late October rain without someone to talk to, it was going to feel even longer. No one wanted to see Bowie with me. Not this tour, at any rate. My partner was a former music promoter. After a lifetime of walking around with a headset and a deck of laminates around her neck, she had no desire to be a plus-one in press seats. Besides, it was the Outside tour. A 1995 conceptual opera featuring Nine Inch Nails and Bowie playing the character of Nathan Adler, a man who judges the worthiness of art in a post-apocalyptic future, the Outside tour proved ...
David Bowie's Top Ten movies
Tribute: David Bowie
As the world mourns the loss of an icon who changed pop music, let's not forget David Bowie's impressive, and sometimes abysmal, body of work on the big screen because it was all part of a greater performance
By Katherine Monk
VANCOUVER - The I-5 was a ribbon of wet blackness that emerged, intermittently, with each croaking swipe of the wipers. It was going to be a long drive from Vancouver to Tacoma, and in late October rain without someone to talk to, it was going to feel even longer. No one wanted to see Bowie with me. Not this tour, at any rate. My partner was a former music promoter. After a lifetime of walking around with a headset and a deck of laminates around her neck, she had no desire to be a plus-one in press seats. Besides, it was the Outside tour. A 1995 conceptual opera featuring Nine Inch Nails and Bowie playing the character of Nathan Adler, a man who judges the worthiness of art in a post-apocalyptic future, the Outside tour proved ...
Squeezing Gervais’s not-so Golden Globes
Podcast: Pop This!
To toasting and roasting Ricky Gervais as returning host of the Golden Globes, an awards show that makes some viewers walk around the house in high heels with a tall glass of pinot
Featuring Lisa Christiansen and Andrea Warner. Produced by Andrea Gin.
A sampling of what you might hear in Episode 9: Looking at The Golden Globes
I will tell you what I genuinely think of Ricky Gervais: I think he is smug, self-congratulatory, fat-shaming...and he can be incredibly boring.... He has a lot of specific self-hatred... The only human beings who don't want to be liked are sociopaths. Mad Max. Rent is not a comedy? Empire is not nominated in the musical category? One of the great loves of my life, Spy Magazine... the monocles reviews, that's who I envision as the Hollywood Foreign Press I have the feeling they are the kind of people who go to Cannes and don't see movies I love Veep so much. A rare show without a weak link. It messes you ...
Squeezing Gervais's not-so Golden Globes
Podcast: Pop This!
To toasting and roasting Ricky Gervais as returning host of the Golden Globes, an awards show that makes some viewers walk around the house in high heels with a tall glass of pinot
Featuring Lisa Christiansen and Andrea Warner. Produced by Andrea Gin.
A sampling of what you might hear in Episode 9: Looking at The Golden Globes
I will tell you what I genuinely think of Ricky Gervais: I think he is smug, self-congratulatory, fat-shaming...and he can be incredibly boring.... He has a lot of specific self-hatred... The only human beings who don't want to be liked are sociopaths. Mad Max. Rent is not a comedy? Empire is not nominated in the musical category? One of the great loves of my life, Spy Magazine... the monocles reviews, that's who I envision as the Hollywood Foreign Press I have the feeling they are the kind of people who go to Cannes and don't see movies I love Veep so much. A rare show without a weak link. It messes you up.
...
Pop This! Hits, hisses and misses
Podcast: Pop This!
Trainwreck chugs toward a cliff of critical revision while Albert Maysles's final piece of non-fiction brings an Apfel for a teacher
Featuring Lisa Christiansen and Andrea Warner. Produced by Andrea Gin.
A sampling of what you might hear Episode 7 as Pop This! breaks down the year in movies*: “I dream one day of owning a La-Z-Boy" “What about a La-Z- Girl?” "Sometimes I love AND hate.. but mostly love..." "My hate has grown for a few things... A lot of my hate has grown for Trainwreck." "You have to watch... It Follows." "I found Iris Apfel…. very inspiring..." "My grandmother is a huge part of my life... she made me hyperaware that we put seniors to the side…" "If The Rolling Stones Tour and people buy tickets isn’t that it…?" "Ex Machina... fantastic." "I'm playing air theramin..." "I love watching dudes bond over things that aren’t demeaning to women, The Night Before was... ridiculous and lovely and ...
Wim Wenders finds warmth in Canadian winter
People: Wim Wenders
The German filmmaker says he used stereoscopic 3D technology in Every Thing Will Be Fine, his latest art film about grief and loss, in a bid to bring depth to Quebec's unique landscape
By Katherine Monk
TORONTO – His voice sounds like something straight out of a fairy tale: a soft German accent bending over vowels with a delicate arc and a deep warm tone that seems to echo through hand-milled timber. Even his name, Wim Wenders, feels like a plucky character from a Grimm plot, so the fact that this German auteur has transformed the stark hues and blinding skies of the Canadian landscape into a cozy microcosm feels strangely natural. Every Thing Will Be Fine is Wenders’s 46th film, but it marks a series of firsts: It’s his first film in Canada, his first shoot in winter, and the first time any auteur has used 3D technology in the heady pursuit of an art film. Wenders always thought the technology was used poorly – a point he proved in ...
The Night Before leaves blurry impression
Superbad with seasonal wrapping
Seth Rogen, Anthony Mackie and Joseph Gordon-Levitt rip a page from Charles Dickens and Timothy Leary in a well-intended holiday comedy that would have been Scrooged if not for Michael Shannon's performance as angelic weed dealer
Ramin Bahrani forecloses on 99 Homes
People: Rahmin Bahrani
The writer-director of Man Push Cart returns with 99 Homes, another story about social justice and an economic system that he says creates Donald Trumps, rewards greed and fails to protect families
By Katherine Monk
After directing Man Push Cart a decade ago, the late great Roger Ebert described director Ramin Bahrani as one of the most important new voices in cinema, hailing his ability to see the outsider and sympathize with those silently struggling to find their way. His low-budget dramatic debut focused on a former Pakistani rock star who ended up selling food on the streets of Manhattan, and his more recent At Any Price starring Zac Efron took on the reality of genetically modified crops and their effect on America’s family farms. He is unapologetic about his interest in themes concerning social justice, but Bahrani’s most recent feature, 99 Homes, may be the most trenchant piece of social commentary he’s made so far as it brings us ...
Cameron Labine climbs mountain of manhood
The director and writer behind the new movie Mountain Men explores the nature of masculinity as he sets two brothers into the Canadian wilderness to cope with simmering sibling issues, and a medical emergency
By Katherine Monk
September 3, 2015, VANCOUVER – Like some of mankind’s most classic adventures, it all started with a great fall. Filmmaker Cam Labine was at a full moon party far up the Squamish River on B.C.’s South Coast. He wasn’t “in his right mind,” started wandering, and took a bad tumble in the dark. “That was sort of a wake up call for me,” says Labine, sitting in a warm and decidedly cozy café in Vancouver’s Strathcona neighbourhood. “Growing up in BC, in Maple Ridge, you sort of spend a lot of time outdoors. At least, I spent a lot of time camping and snowboarding and hiking… and you end up feeling comfortable in the mountains, like I belong to them. But with the fall came an epiphany: That I am an urban kid and ...
Patricia Clarkson takes the wheel
The veteran of stage and screen buckles up for a bumpy ride in Learning to Drive, a new film that puts the pedal to the metal of marriage breakdown with surprisingly comic results thanks to co-star Sir Ben Kingsley, and the gentle hand of director Isabel Coixet
By Katherine Monk
TORONTO – There’s something undeniably regal about Patricia Clarkson, even when she’s vomiting into a toilet and playing an entirely unlaced woman of letters. It’s an underlying strength that inhabits every bone in her sinewy body, and you can feel it in her relaxed presence. She’s a woman who is comfortable in her own skin, and it shines through every freckle. “I was fed perseverance as a child,” she says. “I have a very strong mother, and strong parents who were loving and gave me the confidence and ability to survive.” Clarkson says she had to rely on that deep well of self-possession when she started Learning to Drive. A new film directed by ...