Two new docs offer deep dive on African-American dance icons
Movie review: Ailey and Can You Bring It - Bill T. Jones and D-Man in the Waters
Alvin Ailey and Bill T. Jones redefined modern dance for their generation, but while Ailey's company became the de facto representative of the African-American experience on the legitimate stage, Bill T. Jones lingered in the shadows long enough to truly know himself, and the emotional purpose behind each move.
First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
Dolittle could have done a lot more
Movie review: Dolittle
Robert Downey Jr. dons Victorian garb and a Welsh accent for his turn as a dotty vet with a particular gift in this grim take on a kid-lit classic that lacks authenticity, despite the realistic creatures.
Bad Boys for Life suffers from ED – excitement deficiency
Movie Review: Bad Boys for Life
Bad Boys proved movie formula could transcend all demographic boundaries while establishing the career of Michael Bay, but a quarter century hence, not even the combined charisma of Will Smith and Martin Lawrence can salvage the bore and gore of a tired reboot.