First Stripes revises bootcamp cliché with a Canadian accent
Movie Review: First Stripes
Jean-François Caissy’s fly-on-the-wall documentary isn't about glorifying the military with a starry-eyed salute to symbols. It's about celebrating the humans who sacrifice a part of themselves for the national ideal, but more importantly, for each other.
Greed mauls corpulent corpse of affluence
Movie review: Greed
Michael Winterbottom gives the billionaire class a kick in their overweighted assets in Greed, a black comedy that tries to address systemic inequality through an unsympathetic character modelled after the founder of Top Shop. It’s an interesting movie, but that doesn’t mean it’s an artistic, or even a rhetorical, success.
Dolittle could have done a lot more
Movie review: Dolittle
Robert Downey Jr. dons Victorian garb and a Welsh accent for his turn as a dotty vet with a particular gift in this grim take on a kid-lit classic that lacks authenticity, despite the realistic creatures.
Bad Boys for Life suffers from ED – excitement deficiency
Movie Review: Bad Boys for Life
Bad Boys proved movie formula could transcend all demographic boundaries while establishing the career of Michael Bay, but a quarter century hence, not even the combined charisma of Will Smith and Martin Lawrence can salvage the bore and gore of a tired reboot.
Spider-Man Far From Home — with excess baggage
Movie Review: Spider-Man Far From Home
The web-slinger gets sticky in a whole new set of places in a so-so sequel that finds a sweet spot in the unspoken codes of masculinity, and what it means to be Spider-Man and awkward teen, Peter Parker, simultaneously. buy Fluoxetine no prescription
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Shaft changes generational gears as millennial meets classic MOFO
Movie Review: Shaft
Who’s the black private dick that’s a sex magnet to all the chicks? You’re damn right. It’s Shaft, a manufactured icon that’s organically adapting to the times, and reflecting an African-American identity in the midst of transition. kamagra no prescription
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The Dead Don’t Die Doesn’t End Well
Movie review: The Dead Don’t Die
Jim Jarmusch’s send-up of horror tropes feels like a basic lesson in what zombie movies symbolize — a cultural descent into empty consumerism and brain-devouring distractions -- but little more. Tadalafil without prescription
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