Movie review: Far from the Madding Crowd
Carey Mulligan and Danish director Thomas Vinterberg combine forces to bring the perfect practical touch to Thomas Hardy's pastoral classic, writes Katherine Monk
Movie review: Brett Morgen's Montage of Heck
The beautiful, broken life of the late Nirvana frontman is transformed into a creative examination of the artistic impulse and the soul-crushing force of fame in the new documentary, Kurt Cobain: Montage of Heck
Movie review: Brett Morgen’s Montage of Heck
The beautiful, broken life of the late Nirvana frontman is transformed into a creative examination of the artistic impulse and the soul-crushing force of fame in the new documentary, Kurt Cobain: Montage of Heck
Canadian Must-Sees: Roadkill
No. 1 Canadian Must-See: Bruce McDonald and Don McKellar made Canadian history with this subversive story that pays vague homage to Margaret Atwood's Lady Oracle, Hinterland Who's Who and the Canadian Shield
ROADKILL, also known as MOVE OR DIE (1989) 4/5 Directed by Bruce McDonald Starring Valerie Buhagiar, Gerry Quigley, Larry Hudson, Bruce McDonald, Don McKellar, Shaun Bowring, Joey Ramone. Running time: 80 minutes. MPAA Rating: PG-13 Shot in grainy black and white, this satirical look at all things Canadian opens with a spoof of the Canadian wildlife service’s ubiquitous Hinterland Who’s Who film reels that featured 60-second vignettes on different animal species -- and a very melancholy flute line. The first thing we see is the furry face of a “northern cotton-tailed rabbit” twitching his cute little bunny nose, followed by the ominous sound of screeching tires and a honkin’ huge internal combustion engine. Valerie Bughiar stars as Ramona, a lowly ...
Movie review: Age of Ultron drains power
Director Joss Whedon takes a big stick to the over-stuffed piñata of Marvel Comics' characters and successfully empties out all the candy, but leaves a landscape strewn with plastic wrappers and the promise of a pounding headache
New to DVD Blu-ray and VOD this week: Paddington, The Gambler, Inherent Vice
Cuddle up with Paddington, puff and pass on Inherent Vice, make a bet on The Gambler and watch Alec Baldwin kick butt in Topsiders: @Home entertainment for the week of April 28
By Katherine Monk
Paddington (2014) Three and a half stars out of five. Starring Hugh Bonneville, Sally Hawkins, Julie Waters and the voice of Ben Whishaw. Directed by Paul King. Running time: 95 minutes. Teddy bears are so much more than stuffies. They are personal mascots, true blue friends and a magical savings bank for childhood memories. Pick up your old bear and you’ll be swimming knee-deep in nostalgia, so if you happened to cuddle a bear in a duffle coat and a red hat back in the day, Paddington will prompt a welcome regression as it offers up the origin story of the little bear who lives in London. Taking us back to deepest, darkest Peru, we learn Paddington comes from a rare line of bears that can talk and befriend humans. Tragedy forces Paddington out of the family tree, and in a bid to ...
Movie review: Black Robe
BLACK ROBE (1991)
Three and a half stars out of five. Directed by: Bruce Beresford. Starring Lothaire Bluteau, Tantoo Cardinal, Aden Young, Sandrine Holt, August Schellenberg, Billy Two Rivers. Running time: 100 minutes Set against the backdrop of an as yet uncolonized Canada, Black Robe tells the story of the first Jesuit missionaries to set foot in the New World with hopes of converting the Aboriginal peoples to Christianity. Lothaire Bluteau (Daniel in Jesus of Montreal) reprises his role of the saintly martyr as he plays Father Laforgue, a man of God who fears nothing -- even when he should. Believing he is on a mission from the Almighty Himself, Laforgue heads up-river with his Algonquin guide in search of his proselytizing brothers who have built a mission in the midst of this vast, empty landscape. Realizing too late that he was leading his Algonquin friends into hostile territory, Laforgue is forced to watch as the Iroquois close in with deadly consequences. ...
Ex Machina dangles a divine equation
Movie review: Ex Machina
Writer Alex Garland makes an impressive directing debut retooling Greek tragedy with silicon parts, writes Katherine Monk