Comic Books 8 results
3.5Score

Spider-Man Far From Home — with excess baggage

Movie Review: Spider-Man Far From Home The web-slinger gets sticky in a whole new set of places in a so-so sequel that finds a sweet spot in the unspoken codes of masculinity, and what it means to be Spider-Man and awkward teen, Peter Parker, simultaneously.
3Score

Shazam! feels like Fisher-Price version of the Marvel Universe

Movie review: Shazam! Director David F. Sandberg seeks to blend age-related gags with serious family drama in a failed attempt at sly humour in this overly simplified, but altogether safe take on superhero transformation.

The pain of Glass

Movie review: Glass M. Night Shyamalan’s latest is a self-conscious collage of comic book form and personal conceit that talks down to the viewer as the director congratulates himself.

Venom pits Tom Hardy against an oily Zeitgeist

Movie Review: Venom Ruben Fleischer’s movie about supervillain Venom fails to sink its fangs into genre, leaving Tom Hardy to wrestle a dark alien force that’s colonized his DNA. It’s a perfect metaphor for the times, but can filmmakers capitalize on the moment when they’re working in the Marvel universe?
1.5Score

Thor Loses His Thunder

Movie Review -- Thor: Ragnarok Marvel Studios' latest product feels like industrial birthday cake as it overcooks A-list talent and coats the formulaic boredom in green-screen icing  
4Score

Spider-Man: Homecoming Synthesizes All Spideys

Movie Review: Spider-Man - Homecoming Tom Holland and director Jon Watts prove there's still room for 'comic' in the comic book universe as they return to basics in the highly entertaining Spider-Man: Homecoming
3.5Score

Arthritis and Adamantium: Logan senses an ending

Movie Review: Logan movie review James Mangold's latest instalment in the X-Men franchise takes a heroic look at mortality via Hugh Jackman's aging Wolverine and Patrick Stewart's supernaturally demented Professor Xavier
4Score

X-Men: Apocalypse, Now and Then

Movie review: X-Men: Apocalypse Director Bryan Singer brings the comic book franchise to the brink as he sends us back to the 1980s, when the powerful mutants were forced to pick sides