Maudie shows us the pain behind happy art
Movie Review: Maudie
Sally Hawkins gives a remarkable performance as the elfin, crippled Nova Scotia artist Maud Lewis, who lived in a tiny shack and sold her paintings at the side of the road
Life, death and Andrew Huculiak
People: Interview with Andrew Huculiak
Getting metaphysical with the first-time director of Violent means dipping a big toe into the cold, dark waters of existentialism and cozying up with Kierkegaard
By Katherine Monk
(October 19, 2016) VANCOUVER – A gentle drizzle falls outside, and the faint smell of woolly dampness mingles with the scent of fresh pie. It’s a typical fall day in Vancouver -- wet, dark, and cool -- the perfect backdrop for an interview with Andrew Huculiak. Huculiak is the director behind Violent, easily one of the best first features in Canadian film history, but up until now, it was also one of the most difficult to access. Shot two years ago in Norway with a unilingual Norwegian cast, Violent was invited to Cannes, picked up top prizes at The Vancouver International Film Festival and was shortlisted as Canada’s best foreign film Oscar submission. By all accounts and measures, it should have hit theatres nationwide. Yet, it’s only now, two years later ...
Canadian Must-Sees: Le Déclin de l’empire Américain conquered Canada
Denys Arcand's chatty examination of a group of middle-aged intellectuals brought a hint of Woody Allen to the wilds of the Canadian film landscape, eclipsing linguistic politics with sex, and successfully reframing the next generation's existential crisis as more of a personal concern than a nationalist struggle
LE DÉCLIN DE L’EMPIRE AMÉRICAIN (1986) 5/5 Directed by: Denys Arcand Starring: Dominique Michel, Dorothée Berryman, Louise Portal, Geneviève Rioux, Pierre Curzi, Rémy Girard, Yves Jacques, Gabriel Arcand. Running time: 101 minutes MPAA Rating; Restricted A veritable classic, and the first film to truly establish Canada on the populist film map, Le déclin de l'empire américain is a satirical, and undeniably poignant, look at a group of self-absorbed University of Montreal professors who have analyzed their world and themselves into a state of emotional numbness. Over the course of the Oscar-nominated movie, which opens with one ...